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Oh, man. Total opposite here. Five-in-line, especially on a Jazz Bass, looks gorgeous.Yes, I can't stand inline tuners, especially on 5's.
I find these results amazing. As I write this, nearly 2 out of 3 bass players consider the appearance of their headstock important. I challenge you two-thirds (you know who you are) to put your bass away at the end of a gig and then ask anyone who heard you to describe your headstock, or even name its color. I guarantee you that even the bassists in your audience won't be able to tell you.
If an amazing bass had an ugly headstock I'd rock it.
...it's only skin deep!We humans are visual creatures, so of course it matters. But you know what they say about beauty.....
If you don’t like G&L, well, you’re just missing the pointThe only reason I’ve never tried a G&L is because the headstocks look terrible imo
I agree more often than not. I do have a matching headstock Fender Jazz in CAR with blocks and binding that looks awesome, but more of the exception.Not sure why but I have issues with some painted to match headstocks. It’s a me-thing....more than half the time I think, man this would have looked better with the headstock finished like the back of the neck, not the front of the body.