Great thread to resurrect.
The other month, I raised the pickups on my two 5'ers to get more punch and win the dB wars since I'm recording.
Then over the last few weeks, I noticed it's been hard to tune my basses when plugged into my DAW.
So I'd reach for those cheap clip on tuners and the problem went away.
It dawned on me a few hours ago what the problem is - magnetic pull causing oscillation.
The clip-on tuner senses more of the fundamental, so that's why it was easier to tune. The DAW on my computer is reading the signal just from my pickups, so mag-field induced oscillation was the symptom.
So I spent a good while getting my first 5'er set up better. The Aria SB025 with Barts.
Along the way, I figured out that the 3-way coil taps for each Bart humbucker are actually not Series/Parallel/Single but instead outer-single/Series/inner single. So up/down is outter/inner coil while center is Series.
Interestingly, I get hum when using either pickup in single, duh, but headscratchingly I get hum when both pickups blended and both switches in the same direction. So if both pickups are selected towards the neck-side coils, hum. Both pickups are selected towards bridge-side coils coils, hum. But if one is selected towards the neck coil and the other towards the bridge coil, no hum, and vice versa. Weird.
I'd also like to rewire the selector to be Parallel instead of Series, or maybe series for Bridge and Parallel for neck.
Anywho, back to the point this thread is for.
The pickups were too close, messing up my perceived tuning, causing bad overtones and intonation.
As I was adjusting pickup heights and angles, I noticed that the midrange content isn't dependent on height extremes, like treble and bass are, but more so dependent upon being within the sweet spot zone. So closer to the sweet spot, the more mids.
I also noticed that more distance also evens out the frequencies for a flatter response, until they get too far then approaching diminishing returns and then finally either a scooped or bass-heavy tone.
As for angle, I am going for an average between open and fretted at the 5-7 frets, since I don't really play past the 12th fret much.
It's gonna take a few days to tweak the heights to what is my sweet spot for my playing and personal and band needs.
But I noticed when this is done, and done well, it really gets the instrument to be fully alive and sing as it should. Tone, response, liveliness, and sustained are all optimized when spending the extra hours/days to find the right balance.
Speaking of balance, I also take the time to go back and forth between pickup heights and string heights.
Sometimes the G string sings perfectly while the D string has a dead 5th fret harmonic, so while the pickup height is perfect or near-perfect, a tweak is needed with string height to compensate for pickup shape and fretboard shape.
Maybe tomorrow I'll start optimizing my other 5'er, my NS Design Radius. Should be easier since the pickups are radiused, so less tweaking will be needed between string height / pickup height.