Good morning, my friend!
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Have the flu so I'm too out of it to switch the ti flats out with the gold la Bellas
So, I’m happy with the sound of my bass guitar yet every time I read threads on changing strings for improving sound it makes me want to change my strings! What ye say TB’ers?




Very early on I thought I would try flats based on the recommendations here, and that's when I learned half the people here are cracked.

IMHO, TI Jazz flats would be perfect for jazz-funk tones.I tried some TI Jazz Flats on a friend's P-bass, based on rave reviews here onnTB, and loved them. I will probably put a set on my jazz in the next few months. Except I am in this band now where I need the 70's jazz funk tones, so... Probably not, after all.
If I had a gig that needed my Pbass, like a soul and Motown gig with no funk or disco, I'd throw a set on right away.
I am otherwise happy with DR Sunbeams roundwounds.
The only thing I think about is retrying the strings of my youth to see what I think about them now: Roto 66 Swingbass, Boomers, Blue Steels would be the ones I'd try again. But I probably really won't do that experiment.
TI Jazz Flats, Jazz Bass, neck pickup 75%, Bridge Puckup 100%, tone knob 75%... trust me.
IMHO, TI Jazz flats would be perfect for jazz-funk tones.
So, I’m happy with the sound of my bass guitar yet every time I read threads on changing strings for improving sound it makes me want to change my strings! What ye say TB’ers?
I have not tried any other nickel round wounds. What probably makes sense is to try the D'Addario nickel rounds, just to see. But DR stainless steel strings were my favorite stainless roundwounds, I would not be surprised if I preferred the Sunbeams to others.
Have you tried any other nickel rounds ever? If so, what did you think? (Specifically, obviously you have stated your preference for Sunbeams.)
Well, not enough high end bite and snap to make the pops stand out. It always has struck me as a round wound kind of tone.Sure, why not?!![]()
I guess you could go with the rotosound swing 66 strings, because they definitely have all the high end and treble that you're going to want, it depends what the ratio of funk to Jazz is in the music that you're playing. Not that I would Define funk music by slap by any means. Really there are no rules, I'm sure with the tone pot turned up, the ti Jazz Flats will pop just fine. At the end of the day it probably just comes down to each individual's taste in tone. If it were me and I was playing some funky jazz, I would definitely give the Thomastiks a go on a Jazz bass just to see how they fit with the sound of the band and the mix. Or I would get a maple fretboard precision bass string it with rotosound swing 66, and go for that Paul Jackson sound with Herbie Hancock a la "Thrust"!Well, not enough high end bite and snap to make the pops stand out. It always has struck me as a round wound kind of tone.