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Does this happen to you?

Changing strings is a 10 minute job that's reversible. I don't see this as fixing something, just trying a different part to see if there's an improvement.
He's happy with the sound of his bass guitar and he's considering changing based on the habits of others and looking for vindication. He can experiment all he wants but it should be because he wants to not because somebody else did. Especially somebody that hasn't even heard his sound to form an opinion.
 
He's happy with the sound of his bass guitar and he's considering changing based on the habits of others and looking for vindication. He can experiment all he wants but it should be because he wants to not because somebody else did. Especially somebody that hasn't even heard his sound to form an opinion.
We all appreciate your expert diagnosis, doctor.
 
A few years ago I determined I had to have Flats for MIM Jazz that I had recently purchased. Currently I am back to tape wounds and will probably use Tapes for the remainder of time on earth.
I put tapewounds on this...sheer perfection!
x3xt1j.jpg
 
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He's happy with the sound of his bass guitar

I was happy with the sound of my old bass & still am, but I was pleasantly surprised when I found one that sounds better. (or at least different in a good way)
Changing strings is a simple thing that's cheap to do.
and generally if you're running rounds, it's a bit of a requirement
 
I hate brand new strings. I also hate old dead ones. To me, they are just right after three weeks of hard playing, and stay that way for 6 months. RE: the original comment, yup, I read TB, and want to do SOMETHING to my rig, or my basses.

Got a deal for ya, then. I can't stand strings AFTER about 3 weeks. I'll sell my 3 week old strings to you for 50% off... :smug:
 
I tried some TI Jazz Flats on a friend's P-bass, based on rave reviews here onnTB, and loved them. I will probably put a set on my jazz in the next few months. Except I am in this band now where I need the 70's jazz funk tones, so... Probably not, after all.

If I had a gig that needed my Pbass, like a soul and Motown gig with no funk or disco, I'd throw a set on right away.

I am otherwise happy with DR Sunbeams roundwounds.

The only thing I think about is retrying the strings of my youth to see what I think about them now: Roto 66 Swingbass, Boomers, Blue Steels would be the ones I'd try again. But I probably really won't do that experiment.
Yes back in my youth I played Rotosounds and I think for the heck of it I’ll give them a try.
 
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Yep. Going to get some new strings and after that a pizza. Thanks! I needed that!

Awsome!! There you go! That's the spirit!! enjoy the pizza and remember be sure to wash your hands before changing strings.. lol.. :)
 

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Yeah... I read about La Bella white gold flats last week and now there are some on my bass.

So here is the rest of the story...
Since I was using pretty high tension strings for a while. Both round and flat. I had to do a some serious re-set-up.
Truss rod adjustment to relax the neck and put some relief in the fingerboard, string height to take the buzz out where needed, and then your basic saddle to and fro for intonation.
Having done all that I thought, " yikes! I was better off where I started."
But, again, having done all that, I decided to play it a while, let it all settle in, and then either go back to the old strings or hang with the new.
After ten hours of playing and numerous more slight adjustments to the instrument... not to mention my technique, (I was over bending just a tad) I am thinking this was a cool change and moved me forward to a better sound.
More thud and growl. Definitely quicker. But also warmer and rounder. I like it.
Bottom line I guess is that it isn't worth making changes for marginal results if you aren't willing and able to take the time to make all the other changes that go along with it to make it all work out the way it should.
But like they say, small but continuous improvements move you forward to a better place and time.
 
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So here is the rest of the story...
Since I was using pretty high tension strings for a while. Both round and flat. I had to do a some serious re-set-up.
Truss rod adjustment to relax the neck and put some relief in the fingerboard, string height to take the buzz out where needed, and then your basic saddle to and fro for intonation.
Having done all that I thought, " yikes! I was better off where I started."
But, again, having done all that, I decided to play it a while, let it all settle in, and then either go back to the old strings or hang with the new.
After ten hours of playing and numerous more slight adjustments to the instrument... not to mention my technique, (I was over bending just a tad) I am thinking this was a cool change and moved me forward to a better sound.
More thud and growl. Definitely quicker. But also warmer and rounder. I like it.
Bottom line I guess is that it isn't worth making changes for marginal results if you aren't willing and able to take the time to make all the other changes, that come with it to make it work.
But like they say, small but continuous improvements move you forward to a better place and time.
An excellent synopsis of the concept of string management my friend.