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DR Sunbeams First Timer

Hello folks!
I am proud to say I have just bought my first roundwound set of DR's (I have the DR legend flats on my fretless, which are killer, btw).

I was in the market for a new product. I had a set of Ernie balls (45-105) on my bass which I liked because they get a little thumpy fairly quickly, and even more so after daily practice and two good band practices (sweaty ones, to say the least). I wanted something that still had that nice middy character that I find in flatwounds but with the edge of a powerful roundwounds sound (my favorite rounds before this probably being EB's and Rotosound rs66). The Ernie balls, while very good strings IMO, did feel a little stiff and I've acquired a lighter touch over the last few months so I thought roundcore strings would be a good fit.

I get to my local store and I realize they don't have DR strings in 45-105 except for a set of HiBeams. I've heard these are mid-scooped so I didn't think they would fit the bill (all though I'm sure they are nice strings). I also wanted to look for a nickel string as I wanted a softer feel from my strings. DR nickel lo riders and sunbeams were in stock but the Lo Riders were for a 6 string and the only two Sunbeam sets were 40-100 and 45-100. I decided to get the medium lights (45-100) despite the lighter E and A strings.

Well, after my last band practice using the EB nps slinky's, I strung up the mighty (stock) Matt Freeman Pbass with the sunbeams, carefully paying attention to the crimping as I wanted the full DR experience.

Acoustically I noticed the following:

- A very nice touch (slightly smoother and softer than Ernie Balls - then again, I think rotosound rs66 are smooth-ish strings so this definitely says something). Buttery describes these perfectly, almost like elixir nanowebs but not as slippery.

- I could hear the warmth AND brightness in the strings (NOT PLUGGED IN!)

So I plug 'er up into my laptop (Line 6 UX1) and run a DI track in Podfarm and back to me through headphones:

- Just like before, VERY warm and full sounding with a nice snappy top end. I've heard this settles down after a week or so. BUT THE WARMTH! Oh my... I couldn't believe it and I still can't. Out of the package, I have never heard this musical midrange until the sunbeams (other TB'ers have described it like this and it is needless to say a perfect description). 9/10 out of the package sound (I would have wanted more low mids naturally but that's what an amp is for!)

- Fingerstyle: nice delicate yet rich tone - it screamed for me to play Roxanne by the Police.

- Pick: Full sounding and nice attack without being harsh (agian, I have not had this experience with other roundwounds)

- Slap pop - For some reason, I felt very guilty slapping and popping these strings. I'm by no means a slapper and only slap at most 5% of the time. Punchy slaps and full sounding pops.

The G string also sounds nice and full which is a huge plus for me (... :) ).

Feel: 10/10
Sound/Tone: 9/10 (Will see how these feel later)

We'll see how this holds up at the next band practice (in about a week) but I am excited. If these last long enough, they may be THE roundwound for me (unless I go to steels, then I'll try other DRs).

As for roundwounds, I think I am a DR convert but I'll wait to confirm that decision. Even with the recent price boosts in my local music stores, these are absolutely fantastic and worth it.

As for flats, I have GHS precision flats on my p/j and DR flats on my fretless. They both sound nice, and I do prefer the purple silks on the GHS (aha, yes I am one of those guys) but they just fit what I'm going for on those respective basses.
 
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Acoustically I noticed the following:

- A very nice touch (slightly smoother and softer than Ernie Balls - then again, I think rotosound rs66 are smooth-ish strings so this definitely says something). Buttery describes these perfectly, almost like elixir nanowebs but not as slippery.

- I could hear the warmth AND brightness in the strings (NOT PLUGGED IN!)

- Just like before, VERY warm and full sounding with a nice snappy top end. I've heard this settles down after a week or so. BUT THE WARMTH!

Congrats on your new-found love!

I had a chance to try out a set (45-65-85-105) last year on my Fender Jazz and my experience with them was very similar to yours.

You're right about "VERY warm and full sounding with a nice snappy top end" (without excess zing). I really liked the way they added warmth and fullness to my J. There is a reason why they are called the "Sunbeams"; let the sun beam down those warm rays on the low end!

I also liked the smooth feel under my fretting fingers. They are by far the smoothest-feeling rounds I've tried so far. (D'A XL Nickels felt "rough" in comparison.)

I was using a set of D'A Chromes flats just prior to using them, so I did have to make some adjustment to my right-hand technique by using a lighter touch due to the increased flexibility. They had a tendency to "get away on me" if I wasn't careful.

I am back to using flats, at least for now, as my Jazz is the only bass I have right now and I'm mainly a flats guy as I've realized after my 18-mth detour with various rounds. However, once I'm in a position to have multiple basses in my arsenal, I would definitely consider using the Sunbeams again on one of them for sure.
 
I put a sale set of these, lights, which I don't normally play (I most often use heavy gauge DR Hi Beams and Black Beauties), on to my Ovation Magnum - think I'll be keeping a bass strung with these, lots of fun to play and the do sound great, warm and much more full than I'd expect from light gauge.
 
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I put a sale set of these, lights, which I don't normally play (I most often use heavy gauge DR Hi Beams and Black Beauties), on to my Ovation Magnum - think I'll be keeping a bass strung with these, lots of fun to play and the do sound great, warm and much more full than I'd expect from light gauge.

Nice! Do you have any comments on the hibeams? what bass are they on? Sorry, don't mean to derail the thread here.
 
Haven't used a set in years but remember them as just about the best feeling strings I had ever had my hands on. Too bad they died so quickly and with so harshly. Switched up to hi beams/ken smiths and didn't look back till dunlop super brights came along. Congrats on finding a new favorite!
 
Nice! Do you have any comments on the hibeams? what bass are they on? Sorry, don't mean to derail the thread here.
I love the hi beams, they've been my usual choice for maybe 14 years now. I've got them on several kinds of basses, fretted, fretless, solids, hollows, you name it. They're bright and "brangy" when played hard (I'm fingerstyle, so digging in with nails), vs. just skin can mellow them right down. They've got that "modern plucked piano string tone" as good as anything else I've tried. Lots of new competition out there now, though, I'm sorting through a bunch of new (to me) string types (Dunlops, which MM switched to from DR Fat Beams, DR Pure Blues, DDTs and special heavy gauges for some low Bs, etc.etc.)

I will say this - slight drawback to using stainless rounds on fretless is that they do chew up the board faster, but I haven't found that to be a huge deal. (They are also, correspondingly, tougher on the fingers than nickels.)

I do like the sun beams as well, and usually have a bass strung with them for that warmer nickel sound & feel.
 
DR Sunbeams are my fave rounds on my SB-2. Love the feel and obviously the tone.

I had TI Jazz flats on my bass for years and took the strings off to do some adjustments and cleaning. When I put them back on the wraps must have slipped or something because they never sounded the same again. All the magic was gone, they just sounded like dead, dull flats. I decided not to spend the cash for new set and tried the Sunbeams. They've been on the bass ever since. Clearly they don't sound similar but they do sound great so I haven't changed back.
 
Thanks for the reply. That's interesting. I always feel that Pressurewounds sound close to SS when they're new, just out of the box but mellow nicely. You're right that they remain smooth feeling and that's one of the things I like about them. I've had a similar experience with Sadowsky Blue Label Nickels: nice and smooth feeling and warms up the sound of a bright sounding bass like my ash/maple jazz bass. I guess they would be a closer comparison to the Sunbeams?
 
It's been at least a couple years since I've had them on a bass. I tried a set then decided to switch back to something else. In hindsight I would say that while the feel was good the sound was warm without being full enough for me, if that makes sense to you.