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Dropped D tuning... some questions.

I just wonder:

Do the guys who use dropped d tuning all the time (DADG) use regular strings or special ones? (perhaps the thickest from a 5-string setup?)

I'm especially thinking of Rick Burch from Jimmy Eat World. They all use dropped D tuning. I always drop my E to a D when playing JEW, but the sound quality might be lowered. Is this really the way they do it?

Also, I'd like to know about Chris Wolstenholme from muse. On some songs (especially "stockholm syndrome") I suspect he's downtuning. If that is wrong, could you please tell me what is the "trick"?
 
First of all, I prefer when I'm playing all Drop D or only sometimes, I use the Billy Sheehan Rotosound set with a heavier E string and lighter G string to keep from flopping around. When recorded in the studio, bands often use gear they they normally don't (i.e. heavier strings for recording than live) so they don't flop around and sound like poo. But dropping to D doesn't change tension TOO much in most cases.

The low B string would be overkill. At .125 or .130 it would be VERY HIGH TENSION when tuned up to a D.

Christ Wolstenholme is a big Deep Impact user. He may be detuning, but I suspect he's using the octaver feature on the DI.
 
Sandman1278 said:
I keep my 4 string tuned DGCF and will accosionaly downtune to CGCF, i use Ernie Ball Power Slinkys which have all the strings thicker, I think hybrid slinkys wil have a lower E string only but im not sure
For DGCF tuning, try the La Bella Hard Rockin' Steels "D-tuning" set, .54-.76.-.90-.111. They're specifically designed to be tuned DGCF, and they feel and sound great. I use Ernie Ball strings on my other basses and I'd tried tuning them down a whole step, but this La Bella set works way better.
 
GHS boomers... :D I love those strings...play in drop D and then 1/2 down...c# tuning if you will. GHS boomers pack a good low end that I love to just boost throught my ampeg. ...ampeg...I love that company, too. Anyway GHS Boomers.

-Aettis
 
tplyons said:
The low B string would be overkill. At .125 or .130 it would be VERY HIGH TENSION when tuned up to a D.

Exactly. Using a .125 might be appropriate for C or C# tuning, but as other have said it's far too much to drop one step.

My "general" rule as a standard .100 E user is to add .05 for every step if I'm going to stay at that pitch for an extended period of time (as opposed to dropping down for a song or two - in that case, I believe my regular gauges can handle the minimal usage) but if you’re used to .100s, a jump to .110 might be a bit much on your fingers initially.

My personal recommendations? As I'm strictly a D'addario player for stainless steels (which I personally feel have a "tighter" sound on notes lower than "E") either ProSteels [This invalid link has been removed] (.45-.65-.85-.105) or if you're a nickel player, XLs [This invalid link has been removed] (same gauges). I discounted the EPS/XL 230's as they're Heavies and would most likely be overkill for just drop-D but nice for fully-dropped "D-strung" (D-G-C-F).

Good luck finding "your" sound in drop-D! :D
 
Actually, as the amateur I am.. I don't know the difference in sound between steel/nickel/titan strings... I just play ;)

What would you reccomend to my kind of music? (rock, like Jimmy Eat World, Green Day, Oasis, Muse, Ozma, etc.) Does the material really affect the sound that much? Or is it just a detail only pro's care about?

Anyway, like I said.. Aren't there any strings especially designed for DADG? (Where the three thinnest strings are normal, and the thickest is meant to be tuned in D? I'd like to keep all the strings on my bass from the same brand)
 
Buy a set of regular strings, either 45-100 or 45-105 or whatever, and buy a single 110 string (D'addario offers them for sure, check your local music shop or online). I'd go for nickles for rock, they're bright enough for the Green Day and mellow enough for the Oasis, it really depends on your bass for sure though.

Have a good one.