Hey JMJ,
I have a huge respect for your bass playing and producing. I've been watching interviews with you and I really love your philosophy about music in general.
Regarding drum tones. Obviously it depends on the record. But generally speaking, how do you approach drum tones? Do you try to commit to and keep tones right from the tracking process? Or do you focus on getting the right take, knowing that you can use samples to get exactly the right tones later on? Or is it a mix of both?
I particularly enjoy the tones on the Tegan & Sara record. Joey Waronker is so tight and tasteful, so I'm sure he makes it easy. To me it sounds like live drums mixed with some samples from drum machines. Or really effective use of gates.
I'd love to hear any thoughts you have on this.
Thanks!
I have a huge respect for your bass playing and producing. I've been watching interviews with you and I really love your philosophy about music in general.
Regarding drum tones. Obviously it depends on the record. But generally speaking, how do you approach drum tones? Do you try to commit to and keep tones right from the tracking process? Or do you focus on getting the right take, knowing that you can use samples to get exactly the right tones later on? Or is it a mix of both?
I particularly enjoy the tones on the Tegan & Sara record. Joey Waronker is so tight and tasteful, so I'm sure he makes it easy. To me it sounds like live drums mixed with some samples from drum machines. Or really effective use of gates.
I'd love to hear any thoughts you have on this.
Thanks!