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Wow, weird. I thought Adler's drumming was one of the best parts of AfD, and was greatly missed on the subsequent stuff.
The only "painful" moment I recall from early recorded GN'R is the little pentatonic fill that Duff does in Mama Kin off the Lies CD, which was a live recording.
Yeah, Adler is pretty much... well.. addled now. Is he even still playing?
Never heard that before, interesting. That makes me wonder why that little flub was left in, if they could fix it quickly with a second take.Actually the 'crowd' were dubbed over the top - believe it or not the live tracks are in fact studio tracks...just read it in Slash's book. Apparently it used to be done quite a bit with bands ??!!
I consider that song to be one of the lowest points on that album, but everyone's got favorites.Great band, good bassist. Cannot seem to play his basslines with the same feel, and I believe he is a lot better musician than a lot of people give him credit for. Didn't he write 'So Fine'??

Well, he's able to co-exist with Axl. That's something not a lot of people can do.
And, at least in the early GNR days, he managed to get pretty good tone out of a rather unconventional set-up (passive bass, pick, and solid state amp).
I always thought his time was kinda suspect although a lot of that is based on Appetite for Destruction which IIRC they did with their old drummer whose time was just terrible. So in that situation there's only so much you can do.
Any man that can drink a gallon of vodka/day and live gets props from me. Love that AFD tone as well.
And as far as there timing and overall roughness, and even Adler, on Appetite, that was the sweetest roughness to hit my ears in that horrible, sterile, synth age of the 80's!
Keep playing Duff, the 80's are back!
It's hard to believe thinking back on it now, but Appetite knocked Def Leppard's 'Hysteria' off the top spot in the album charts. Now I'm a fanboy of both bands, but they seem years apart in style. It's easy to see how GnR exploded onto the scene with their rough, hard hitting debut up against the many, many highly polished and massively produced pop-rock of the time.
A little like Nirvana did a few years later.
Just thought I'd share this with all you other fans of Duff, the Slither jam with Stephen Perkins for his instructional video is really awesome! Check out what he's playing during slash's solo (2:46)
His tone and fills are to die for...
