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Double Bass Dumb n00b here!

What is a German or French bow? What's the difference? Is there any kinds of other bows?

I play for my school's Jazz Ensemble. I don't actually own a double bass. But my intonation is okay and I'm not entirely terrible at playing the double jazz style. There's a bow sitting right next to the upright at school that isn't used by anyone. I don't know what kind it is, but I kinda like fooling around with it. I was hoping to identify it. Thanks.
 
French bow is held with an overhand grip, German is underhand. Try doing a google search, I'm sure you can find some pictures. I wouldn't try teaching yourself to use the bow; you'll just pick up bad habits. If you want to learn, find a good teacher; maybe at your local symphony or university.
 
German Bow:

Bassgermanbow.jpg


French Bow:

Bassfrenchbow.jpg
 
Originally posted by Nick Gann
Thats where I'm hoping to go (pending audition) *fingers crossed*! Not too far away from Cornell, so I hear ;)
Well, here's one way to feel old - the year you were born, I was headed off to college. Ithaca in fact. Funny, although it doesn't seem that long ago, it was half of my lifetime.

Are you hoping to major in Tuba or Bass? Either way, you'll be in good hands if Dave Unland (tuba) is still there. I studied DB with Henry Neubert and jazz with Steve Brown, and I will tell you that both of those professors are outstanding teachers and performers. I owe all of my modest accomplishments to them (and a little woodshedding) Good luck!
 
His favorite album title: "Music to Listen to Barney Kessel By"

Favorite sayings: "Movin' and Groovin'", "There's a madness to my method and a method to my madness", "Love ya, Babe!", and of course, for bassists, "You're the lowest, man...HEE HEE HEE..." (smiles, opens eyes wide, and nods head.)
guitarists at Cornell and IC all hated him
If that was true, which I doubt, it would have been their loss. I never had any problem distinguishing Steve's teachings from his personality. Whether you like him or not, he knows how to get his point across. I suspect he was advocating going thru Kessel before you get to Mike Stern, i.e. learn the tradition. Most guitarists at that age don't know s**t from shinola, and some are both ignorant AND cocky, so I can't say I blame him.
 
My main instrument is tuba. I am better on tuba than bass BY FAR. I do plan to study jazz and theory, and that is where bass will come in. A littl birdie told me that Ithaca had a killer jazz program, as well as their classical program, and that influenced my decision as to selecting Ithaca as my first choice. He was a very smug little birdie :smug: ;)
 
Originally posted by Nick Gann
My main instrument is tuba. I am better on tuba than bass BY FAR. I do plan to study jazz and theory, and that is where bass will come in. A littl birdie told me that Ithaca had a killer jazz program, as well as their classical program, and that influenced my decision as to selecting Ithaca as my first choice. He was a very smug little birdie :smug: ;)

:smug:

(Hey, who you callin' "little?" :mad: ;) )
 
Originally posted by Peter McFerrin
Yeah, it probably was their loss--you certainly need to know the tradition. On the other hand, it's kinda sad when a jazz educator refuses to acknowledge the existence of rock. The Brown-trained trumpeter who ran the jazz program at Cornell was a prime example of this.
Once again, your penchant for hyperbole has gotten the better of you. Refusing to acknowledge the existence of rock is one thing. Refusing to include it in the program is another. After all, you did say it was a JAZZ program, right?

I don't know many trumpeters who consider themselves "Rock-n-Rollers"...Is it C.P. to whom you refer?