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Educate me about picks.

I'm in the opposite school of thought:

I'm primarily a finger style player. I love to experiment with picks, and I have gotten better with them in the past year. One of my favorite bassists is Allen Woody (Gov't Mule, Allman Brothers). He was a pick player and had a fantastic Gibson tone.

For bass, I prefer 1.0mm to 1.5mm. The thicker the better. Also, look into learning the Carol Kaye method of picking. There is a TB thread about it: http://www.talkbass.com/forum/showthread.php?t=452467

That thread helped my pick playing more than anything has in the past.
 
JD Jazz III's (red with the pointy tip). I find my tecnique with these is very similar to C Squire's. I only have maybe 2 mm sticking out from the side of my thumb, and while still more sharp than fingers, the flesh of my thumb seems to act as a sort of "mute" the touches the string after the pick.

And, as a total aside, I'm either the wimpiest bassist in the world, or you guys who shred these are really playing the **** out of your bass. I've never even dented one of these things.
 
Kawai-chang said:
JD Jazz III's (red with the pointy tip). I find my tecnique with these is very similar to C Squire's. I only have maybe 2 mm sticking out from the side of my thumb, and while still more sharp than fingers, the flesh of my thumb seems to act as a sort of "mute" the touches the string after the pick.

And, as a total aside, I'm either the wimpiest bassist in the world, or you guys who shred these are really playing the **** out of your bass. I've never even dented one of these things.

That is the way I hold the pick as well. With this tecnique you can use a thiner pick (0,73 or 0.80 dunlop nylon) and still sound fuller like with a thicker pick. An other bonus is that like that the pick creates very little force or moment so it is very easy to hold it in place.
 
I like the red Tortex picks, what are they, .50 or.60? I use just the tip sticking out, and grip pretty tight. I use heavier picks sometimes on slower songs, but the thin ones work better for the faster, punk oriented tunes we play at church. Sometimes I'll roll back the treble a bit to cut back of the clicky-ness, if the song requires it.
I play 60% fingerstyle and 40% pick. Depending on the setlist, sometimes I'll never even get out a pick. Depends on whether it seves the song.