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Equipment Fouled; Bassist Ejected

I usually don't like "cover" bands, but my wife wanted to get out in in front of a crowd, so we joined a country cover band in January. It started as classic country, moved to rock-country, to SRV blues with some country and finally settled on a southern-rock bar band kinda list. I was non-plussed, 'cause I don't like to play rock, but the better half wanted to keep going, so I kept going.

The problem was equipment. At first (4x2-hour rehearsals), I was playing through the PA as requested (a 100w 80's monster) but the dial didn't go to 11, and the 1/4" line jacks were flaky. Dropouts, volume problems, crackling, all of that. It was getting super annoying, so I hauled along my Crate BX160, which isn't a monster but was a step up for sure.

First rehearsal with the new amp, rockin'. By the second rehearsal, we had 20 ready to go and 10 more in the wings, but at the third rehearsal, *my* amp started with the dropouts and snap-crackle-pop. I discovered that kicking the amp fixed me up, so when I had (a bunch of) dropouts during the third rehearsal, I kicked it and was back in business. It was, quite predictably, a disaster and I was booted before #4 even started, BEFORE I could come get the amp to bring it to the shop.

The guys said stuff like "if you want to be in a band you have to have equipment that works right" and "I borrowed $1200 that I can't afford to get my #$%^ together." and "you ain't no real bass player with an amp like that". They were also hyped up to get out ASAP and weren't willing to wait a couple weeks for me to raise a couple hundred bucks for the repair. Which was just great.

With the time-flexible drummer, and the non-preferred set list, and the long drive, and the previously-unstated requirement to learn 5 new tunes a week, I wasn't too sad to see this fall apart. I was a little peeved about the equipment thing though. I've been unemployed for 5 months, so money is SUPER tight, and I hadn't even had a chance (less than a week) to come get the amp for repair before they threw a hissy fit and gave me the boot.

Did they kick me out early? Would you wait a couple or three weeks for an equipment repair when you're 2/3rds way through trying to get a 4-hour cover set together?
 
Well, hate to say it but i kinda see their point. You really do need to have the minimum equipment to join most bands, and the minimum is usually a bass along with a working amp with the wattage to keep up with the group. Anything less than 250 watts(SS) usually doesn't cut it.

Now if it were my band, and i liked your playing, i would had given you the time for the repair. But if these guys are trying to fast track to gigs, then two weeks might be too long for them. But if you hated the music anyways, all for the best i say.
 
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A proper bassist needs:
An amp rig and a backup in case it goes teats up on a gig.
A bass and a backup bass.
A tuner.
A cord and a backup.
Reliable transportation.

OTOH just curious if your wife also got the boot or quit?
Also, did you tell them when your am first started acting up what you were going to do about it and when? If you just shrugged it off and said it just needed the occasional kick I don't much blame them. Communication is important.
 
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It's a bit rich considering they were expecting you to play bluegrass style through the little PA one week and then changed the format to loud az. All in all it just proves the Hard to get around needing a reliable rig Rule.

Sum of known facts
Bassist was hired to play through PA.
Set changed and PA was inadequate anyway.
Bassist was found to be
broke
with unreliable rig
made no move to fix rig for two weeks
c ya.
 
As much as I hate to say it, the band is kinda right in this case. It's pretty much an accepted rule that you need to have (or at least be in the process of acquiring) quality gear that functions and keeps up in a live performance situation if you're going to be performing live on any level whatsoever. I don't know what shape your Crate is in, so I don't know that you could have forseen it failing, but that particular amp isn't going to cut it in even my quietest gigs, let alone in a loud rock context. They should have made the gear requirements clearer or had an agreement with you that you'd be soon upgrading but would have to make due until then, but all of that is more or less a given in gigging bands.
 
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Sorry to say it, but that amp is not sufficient for a gigging rock band. They might have cut you slack if it worked, or they might have cut you slack if you had a different amp that needed a trip to the shop, but I can see how those two circumstances in conjunction would be a deal breaker. Also, I would recommend that, rather than paying to get that old Crate fixed, you save up for a better amp.
 
The reality is probably you weren't going to click with this band anyway. If the chemistry was right, then as a band you guys would have figured something out. It sounded like you were just being dragged a long from the beginning, not really wanting to play the music and it probably came out in someway. Three reason to play music... Art, Money, Friendship and it didn't sound like you had any of that. Even if your equipment didn't fail you, then the lack of interest in their music would catch up to you. i have seen it in myself and others all the time. There will come a point where you drove 2 hours to a gig to play to a fading bar and the guitar player calls Sweet Home Alabama at last call and there is a squelch of feedback coming across the PA and the drummer makes the same dumb joke as the singer knocks over his beer for the 4th time that night and you think....I don't like the music, these guys aren't people I like being around and the pay ain't worth it. There are always other gigs, but get your equipment working. It would be a shame to loose a giig based on first impression of not having you poopie together. Kicking your amp to work is not an option.
 
I just had a similar, yet reversed situation. Steel player had a Roland 5 watt amp, guitar player had a crate, half broken behringer, fender practice amp. BL is telling me he needs help, needs me to sing lead on some songs. Problem is, I usually use my personal mic to mic one of these other guys. And these are the types of gigs we could easily get by with vocals only PA, as long as everyone's got sufficient personal gear.

Luckily they just opted to upgrade. (After some prodding) And the thing is, now that they have "more" & better amps, they don't have to turn them up as loud.