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haujobb said:As far as mod pedals:
Flangers and Phasers = Good
Chorus = Bad
Eric Moesle said:Agreed. I tried for years to get a chorus to work for bass that was either noticeable or too harsh. Using a flanger delicately solved the problem. Glad to see someone else posted this.
I tried a Boss Bass Chorus, and in the small amount of time that I played with it, couldn't get a very good sound out of it.Brad Barker said:i disagree--love chorus!
NicJimBass said:Some sort of distortion and an envelope filter are essential for rock. Anything else is icing on the cake!
If you don't mind me asking, how much was the Boss Bass Equalizer? I'd really like to get one, if it's not too expensive.bassisten said:Hi guys!
Ok, I'm a natural gear-freak, but I actually use my effects a LOT in some of my bands.
Reverb - (EHX Holy Grail)
Chorus/Flanger - (T.C. Electronics)
Distortion - (T.C. Electronics)
Bass Equalizer - Boss GEB7 (used as solo-level)
Loop-station and delays - Line6 DL4
Volume-pedal - Ernie Ball
Yeah...
) Yup. Same with my Boss Compression Sustainer (I'll get a better one when I can, but this thing really does work well!). I use it full-time.The Nanny said:...The only one of those that I would say is essential for me is the compressor (Tech21 compactor)....
..better be careful how you say that, though. You're adding fuel to the guys who say "compressors are just used to make up for bad technique" - oy. For me the idea is that I can use how hard I pluck for either the purpose of controlling volume - which I would almost always like to remain fairly constant in my rock band - OR to control the TONE and character of the notes - which I just love to use to express myself. Of course if I'm not using a compressor then I can't use different tone characters in that way - unless, I suppose, I used a volume pedal to track along, furiously working to maintain volume.. but WAIT!.. That's what a compressor does, isn't it?!The Nanny said:... I really notice its absence when my band does a quick and dirty no-effect practice. Without, the sound seems amaturish on my setup. It helps me lay down a smooth, dependable sound for the rest of the band...
Joe P said:For me the idea is that I can use how hard I pluck for either the purpose of controlling volume - which I would almost always like to remain fairly constant in my rock band - OR to control the TONE and character of the notes - which I just love to use to express myself. Of course if I'm not using a compressor then I can't use different tone characters in that way - unless, I suppose, I used a volume pedal to track along, furiously working to maintain volume.. but WAIT!.. That's what a compressor does, isn't it?!
I think that it's much more valuable to modulate tone and character, than to modulate volume. I need to keep my place in the mix, but still be a dynamic player; the compressor is my answer!
Joe