I'm late on this as I was out for xmas but here's a few more cents...
OK first, as others have pointed out you have probably the most aggressively-voiced SVT there is. Not having the separate pre/master volume and instead just a "volume" knob, what you're probably altering with that knob is the input gain. So it's like having the master dimed and then adding gain to reach the appropriate volume. Used to have one, still wish I did.
I use my Ampeg V4BH(100W) similar in that I crank the master and bring up the gain to volume.
Doing so releases the mojo in those power tubes! And that's why folks rant about the SVT II non-pro. Prolly there's some other details there too...
So anyway the point is that if you loved the sound of the SVT at a lower volume, it was still probably because of the power tube clipping. You can't substitute that with an SVT tube preamp. Not saying it won't sound good - just sayin' the mojo will be left behind.
Now, others scoffed at your mention of "a PA for my bass amp". I would say, "not so fast".
I've thought of doing that exact thing. If you have a lower wattage amp that has the tone you love (like Jimmy's B15N) -- what's stopping you from micing your favorite cab, using a mini-mixer, clean power amp, and another cab, and adding the additional volume that you need?
Not really alot of difference between that and the band having a PA except it becomes part of your rig. Make it simpler, and just use a powered Mackie speaker or something.
I'm sure there are others doing this.
I've been thinking about doing the same with my V4BH. I'm loving the tone at the sweet spot, but with a hard-hitting drummer I have to push it past the sweet spot sometimes.
Deep Thoughts,
Colonel Monk
PS and if the Mojo is not your concern? I had the Mesa MP600, a very warm sounding and STUPID LOUD amp. I swear, at 600W no drummers/guitards can trump you. Loudest rig I ever had.