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Good point, but I think it's the best example of an active jazz tone.Ignore Gorn Captain , he's being cheeky with a red herring .
Active J in a tribute to a passive J in an un-cloneable example .
Classic J tone is Larry Graham .
What does this mean? He asked for an example of a classic J sound and I think the 61 jazz is a pretty good one.FCS , Dude needs bass info not Sasquatch sighting bass solo info .
Look at the dimensions , if that is a regular sized bass then Sasquatch is real .
It's Monday morning and I'm sleepy so maybe it's me, but I have no idea what you're talking about.How many Bass range notes in Jaco's "America" , comparatively none .
It's Monday morning and I'm sleepy so maybe it's me, but I have no idea what you're talking about.
Just a few off the top of my head:
60's VVT Jazz bass: both pick-ups on full...Willie Weeks
60's VVT Jazz bass: neck pick-up on, bridge pick-up off...John Paul Jones
60's JVVT azz bass: Bridge pick-up on... Jaco (this is probably the best jazz bass tone I've ever heard)
60's stack knob jazz bass: with a pick (both pick-ups on full) Bobby Vega
70's jazz bass: (probably both pick-ups on full)... Marcus Miller
50's P bass single coil pick-up... Dusty Hill
50's P bass split coil (with a touch of phaser)... Duck Dunn
60's P bass split coil...Bob Babbitt
70's P bass split coil (this is THE 70's P bass rock tone)
P bass with a pick.
@PJ Muzikmansky Are you sure it was Bobby Vega playing 60's jazz on Sly's high on you? To me it sounds more like a double P bass, bc rich eagle or something.
Fifteen posts in and no Carol Kaye or Joe Osborn?