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Favorite short scale bass

I'm looking to add a short scale bass to the arsenal and would like your input. For those of you who have tried different short scale basses what is your favorite?
Unfortunately there are none around to check out before purchase.
I'm currently looking/reading/listening to demos about...

Nordstand Acinonyx
Fender JMJ Mustang
Reverend Wattplower

Or something different?

Thanks

I have a huge Nordstrand Audio fan of literally everything they currently make, and have made in the past. Carey, and everyone at Nordstrand Audio has treated me incredibly well over the years and even if I did not have a sponsorship deal with them, Nordstrand Audio pickups and pre-amps would still be the only pickups and pre-amps that I would use in my basses and guitars.

With short scale basses, I currently do not own any of them right now but if I ever did decide to buy one, you can bet that it would definitely be a Nordstrand Acinonyx short scale bass. I actually do plan on buying at least 2 of those basses one day and will definitely own them at some point in the near future but at the moment, I am still thinning out the heard of other guitars and basses that I simply don’t really ever play anymore. Once I do that and have some extra spending cash to buy more/other gear with, one of the first basses that I plan on buying will be a Nordstrand Acinonyx short scale bass.

The reason why I’ll have 2 is because I always buy my basses in pairs as far as make, models, number of strings and matching electronics goes. Many years ago, when I was just starting out in the mid to late 80’s, I had the opportunity to meet Billy Sheehan at a free bass clinic that he was putting on at a local music store in my home town of El Cajon, California which is in the East County of San Diego, California.

At the free bass clinic that Mr. Sheehan put on, I learned so many things from him, at just that 1 single bass clinic that was only a few hours long, and are things that I still do and practice to this day, over 30 years later.

The 3 biggest things that I remember him teaching was the technique and warm up exercises as well as the cool down exercises that he would do every single day, before, during and after he would get done playing, in regards to his finger style of playing. It would be because of that free bass clinic that Mr. Sheehan did, that would make me switch over to playing bass more finger style predominantly, a majority of the time as opposed to just playing bass using a pic. I still do use a pic on occasion for certain things but for the most part, probably at least 90% of the time, I play my basses using more finger style techniques that he taught me and many others that day.

The next thing that he taught and shared his opinion on was playing on just 1 style of bass because so much muscle memory as well as more consistent and higher quality of playing will develop because a persons playing will be a lot more totally automatic because your used to the type of tone wood used, weight, balance points, ergonomics, length and width of the neck and fretboard, number of strings, as well as pickup position and kind of pickups that are inside the bass, in addition to an almost identical tone and sound of the piece being played. Mastering just that 1 single type of instrument will make that musician so much better on that 1 single instrument as opposed to if they had a variety of basses. Obviously any musician can play any make and model of whatever instruments that they know how to play but on that 1 specific instrument, that musician will be a much better player when using it or another instrument that is identical to that main specific one that they’ve got and play all the time.

The last thing that Mr. Sheehan taught me and all of the other people at this free bass clinic that he had put on, and what also had really stuck out to me as well, in addition to also, somewhat tying into the last thing that I just mentioned in my previous paragraph, was to buy your instruments in pairs, in literally, every single manner possible, except for maybe the color and/or finish of the instruments, to try and own at the very minimum, of at least 3 instruments of those that are identical in every way so you can have a main and a backup instrument, as well as a back up to your back up should 1 or more of the instruments you are playing with either in rehearsal, the recording studio and/or live at a show, have an issue and/or have something break on it. Of course, if you then have a set list with different songs using different tuning, and/or requiring some songs to be played on a 5 and/or 6 string bass, whereas other songs may only require a standard 4 string bass, in order for all of the different songs to be played. Having to then buy at least 3 of every one of those basses could get real expensive and in a hurry too.
 
i have quite few short scale basses. i switched from long scales about a year and a half ago after playing long scales since 1967. my current short scale bass list is:
1. 1968 Gretsch 6073
2. 2011 Gretsch G6073B
3. 2020 Gretsch 2220
4. 2019 Fender JMJ Mustang Bass
5. 2019 Hagstrom Viking
6. 1985 Alembic Distillate
7. 2019 Guild Starfire Bass II RI
8. 1968 Hofner 500/1 German
9. 2019 Hofner HCT 500/1 Dark Burst
10. 2020 Hofner HCT 500/1 light burst
11. 2019 Hofner Ignition 500/2
12. 2020 Hofner HCT 500/2 light burst
13. 1969 Gibson EB1
14. 2007 Gibson SG Bass
15. 1973 Gibson EBO bass
16. 2020 Gibson LP Jr. DC Tribute bass (gloss cherry)
17. 2020 Gibson LP Jr. DC Tribute Bass (TV yellow)
18. 2019 Eastwood Newport (modded)
19. 2020 Eastwood Sidejack Pro (sunburst)
20. 1968 Ovation Typhoon
21. 2020 Custom Telecaster bass
22. 2020 Squier Bronco Bass

i actually LOVE them all but out of all of them i have to say that the Gibson Les Paul DC tributes are probably my favorites to play.
 
i have quite few short scale basses. i switched from long scales about a year and a half ago after playing long scales since 1967. my current short scale bass list is:
1. 1968 Gretsch 6073
2. 2011 Gretsch G6073B
3. 2020 Gretsch 2220
4. 2019 Fender JMJ Mustang Bass
5. 2019 Hagstrom Viking
6. 1985 Alembic Distillate
7. 2019 Guild Starfire Bass II RI
8. 1968 Hofner 500/1 German
9. 2019 Hofner HCT 500/1 Dark Burst
10. 2020 Hofner HCT 500/1 light burst
11. 2019 Hofner Ignition 500/2
12. 2020 Hofner HCT 500/2 light burst
13. 1969 Gibson EB1
14. 2007 Gibson SG Bass
15. 1973 Gibson EBO bass
16. 2020 Gibson LP Jr. DC Tribute bass (gloss cherry)
17. 2020 Gibson LP Jr. DC Tribute Bass (TV yellow)
18. 2019 Eastwood Newport (modded)
19. 2020 Eastwood Sidejack Pro (sunburst)
20. 1968 Ovation Typhoon
21. 2020 Custom Telecaster bass
22. 2020 Squier Bronco Bass

i actually LOVE them all but out of all of them i have to say that the Gibson Les Paul DC tributes are probably my favorites to play.
Wow! Some list! Can you tell me a bit about the Eastwood Newport, the mod for example?

I have a 65 Epiphone Newport but mine is apparently rare with a slab body and the batwing headstock, not the contoured on the back (belly cut) versions commonly seen.

My Newport also has the pair of strap buttons up top; 1 on upper horn (which i use) and 1 on the back of the neck like an SG....i use the upper strap button and it balances great at just over 7 lbs....the neck is perfect for me, 1 1/2" nut width and even slim taper up the neck....it also has just enough brightness with GHS Pressurewounds and the lone 'mudbucker/sidewinder'.

Anyway great to hear you like the Gibson Les Paul DC best! One is on my radar!
 
My go to short scale, the Epi EB-0, with D'Addario ETB92S Nylons.

View attachment 4306245

Should never have sold mine...
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I currently own (all short scale):
  • MIA Mustang
  • Supro Huntington 3
  • Danelectro Hodad
  • Ibanez Artcore
  • Ibanez TMB30
  • MM Stingray
  • SBMM Stingray
  • Vox Apache
  • Warwick Corvette
  • Nordstrand Acinonyx
  • Hoftner Icon Ignition
  • SX something or other (PJ)
1st prize goes to the MM Stingray.

2nd prize Nordstrand Acinonyx.

Best bang for the buck prize goes to the SBMM Stingray.
 
I had an Ibanez Mikro that was so awesome, but it was cheap and meant for beginners. When I go to GC I love the Mustang and Hofner shortscales and always dig trying them. But the more priecy Ibanez shortscales I really love from my view as well if you are into all kinds of genres.
 
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There was a girl in my town a few years ago who played an Ibanez Mikro. The band broke up, mostly because they were all high schoolers on the verge of leaving for college, so I'm hoping they get back together in another year or so.

But, from where I sat in the audience, I never detected any sonic deficiencies in her sound. Her rig was a Fender Rumble head through an Eden 1x12, either a D112XLT or D112SXT, I can't tell them apart.
 

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