I was looking at either the 15/6 or 1515/66 what do u use and how does it work for u? I need to cut through the mix of 8-string baritone guitars, and I play Djent/prog metal, funk. what is your advice?
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Mr. CL400Peavy:
Thanks so much for your review! Indeed it was a fun story to read. Would u use this cab (well maybe if it was a 15/6) with another one to get more mid rang punch or is this really all u would ever use?
Also look at KJung's review in one of the recent fEARful threads. His 15/6 had too much midrange for his tastes.
If you can find someone in your area to jam on a fEARful, obviously that would be best.
I wonder if he has ever tried biamping?
I wonder if he has ever tried biamping? Its a wonderful solution to attenuate mids/highs but still have the higher levels when needed.
Reviews can be good source of info, but always subjective and based on a particular person's opinion. There are also a lot of other variables such as amp selection, basses, effects, playing style, etc. If you can find someone in your area to jam on a fEARful, obviously that would be best. Check out the fEArful forum, introduce yourself and see if there is someone nearby.
He doesn't like using EQ to get his sound. What makes you think he'd try biamping?
He doesn't like using EQ to get his sound. What makes you think he'd try biamping?
Ya..I don't want to get in the middle of that...
I just thought of the biamping idea as a possibility for someone who might want to attenuate rather than EQ, that's all. I'm using a HBP-1 these days with a variable Q that seems to do it for me, but others might want to try something different.
Not all things are for all people: this is very ok.
The Ff cabs do what they do very well, and that's cool.
What's cool for one guy might not be cool for another guy.
I have and use both Ff type cabs, and AudioKinesis cabs, which are a different take on the 301(X)-LF driver thing. They can make big SPL for their size, they can be pretty pure and studio-ish.
What they don't do that some folks like is the "added harmonics of a regular paper cone driver under a bit of duress." And the mids and highs they deliver are of a different flavor than a regular paper driver + horn kinda thing.
So, if those things are an integral part of your sound, consider that.