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Fender American Original '60s 0r 70s or pro?

Fender American Original '60s 0r 70s or pro?

  • 60s

    Votes: 46 46.0%
  • 70s

    Votes: 19 19.0%
  • Pro

    Votes: 35 35.0%

  • Total voters
    100
Hi all
Im new here to Talk Bass and would love your opinion on my situation!!
i have recently bought a fender jazz elite and i returned it in a few days as i just didnt like the pre amp at all. so now i am asking what you think i should go for?
i am looking at the American Original '60s 0r 70s or the american pro series?
i just want that that jazz growl u know what i mean..
look forward to your thoughts.
 
im leaning towards the pro series because of this too just but wondering if the sound from the original series would be better for me
I can't personally speak to the Jazz basses, but I have owned a '57 AVRI P bass, a MIM Classic 50s, and several American Standard P basses, and the Standards/Pros are the best of the lot IMHO - it all depends on what you are trying to do. The fret height of the American Pros makes them super comfortable to play, like they're playing themselves. Playing the AVRI or the Classic 50s was like wrestling Jormundgandr. Jazzes are narrower of course so you wouldn't have that kind of problem, but the vintage frets are lower and skinnier, so they have a totally different feel, and that affects my playing for better or for worse - I make different choices about what notes or phrases to play and where to play them.

If you're basing it just on the pickup tone, I recommend a search for VMod pickups and Pure Vintage 64/75 pickups. I don't think you'll be disappointed with any of the three as far as tone goes, but pickups can always be swapped or upgraded. Harder and more expensive to do with a neck.
 
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Soon after I bought my black/maple Pro, I played a CAR/rosewood '60s Original in a nearby city. They are both tremendous basses, IMO.
It's always hard to describe a sound, but I'd say the Original had more girth to its tone, as well as a girthier neck. The Pro has a slimmer neck. Both sound like J-Basses should.
I'm happy with my Pro, but I probably would have purchased the Original if I had it to do over again. Maybe someday...
 
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Soon after I bought my black/maple Pro, I played a CAR/rosewood '60s Original in a nearby city. They are both tremendous basses, IMO.
It's always hard to describe a sound, but I'd say the Original had more girth to its tone, as well as a girthier neck. The Pro has a slimmer neck. Both sound like J-Basses should.
I'm happy with my Pro, but I probably would have purchased the Original if I had it to do over again. Maybe someday...


So you would go with the 60s original if you had to choose again! interesting.
 
I had an elite and felt much the same way. I exchanged it for an American Origanl 60’s P bass and was totally blown away on so many levels. So, I bought a AO 50’s P bass too. So, I cant officially vote in your poll, but unofficially, I’d pick any AO P bass you like.
 
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I own an American Pro Jazz bass, and really like it. I'd prefer it did not have narrow/tall frets though. But, compared to my MIM Jazz, which probably is my point of reference, I got a similar feel from the neck, basically instantaneously familiar, and pleasant to play. I did not get that from the 60s original Jazz I tried at all, so I prefer the Pro.
 
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I have a left-handed Fender American Professional Precision. I like everything about it especially the 'thick C' neck and tall/narrow frets. The VMods are killer p'ups. So if you like the 'Slim C' neck & VMod p'ups of the AmPro Jazz, go for it. Whichever you choose is going to be good. Even the new Ensenada made Player series are fully worthy of serious consideration.

I would kill for a lefty Elite Precision. That compound radius C morphing into D neck must be superb! As for the pre-amp, just turn it off and run passive. No problem.
 
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I grabbed one of the pros and I love it. I was a gibson guy for ten years until I tried that one. Can't compare it to other jazz basses, as I have zero experience with them, but it's the most comfortable neck I have ever played, balances well, and sounds great with a set of chromes on.
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