Sup. I own 2 of these. A 1992/1993 Jazz Bass Plus (“midnight blue” with ebony fretboard), and a 1992 Precision Bass Plus Deluxe (ebony fretboard in the famous/infamous “Caribbean Mist” color).
i’ve had the J bass for 10 or 12 years; I picked it up back when they were insanely cheap as a back-up to my ‘94 boner bass (I guess I like the weird models). I’ll admit that the “insanely cheap“ part was most of the reason I bought it, although it definitely plays well, feels great, and stays in tune great. The p bass is more recent/a pandemic purchase. I just happened to get lucky and see it right away when it went up on the Guitar Center website for a good price.
it’s been interesting to see the public opinion on these shift so much. People really used to thrash them 10-15 years ago…on that note, I kind of want a V now, but the knock on them seems to be that the B string isn’t very good. Is this still the prevailing opinion?
My only complaint about the series is that I found the necks to be really, really finicky. My J bass absolutely loses its mind if you even try to down-tune a step, and I thought that maybe it was just that particular one, but then the P bass seems to have many of the same characteristics. I started asking around, and sure enough, that seems to be the other major knock on these. I have read that they messed with the neck profiles and length/scale a bit too much, and that made them a tad unstable. I’m curious if others have noticed the same thing.
Indeed, the scale is the one thing I don’t like about the P bass. Yes, yes, I get that it has 24 frets (it has 24 frets!), but I don’t like the feel of the extra length. And does anyone really need those two additional frets?
I wasn’t really aware of these when they came out (I distinctly remember seeing jazz basses with the more futuristic “jazz bass“ script at the time, but I didn’t know what it meant), but I feel so bad for Fender in hindsight. They spent years developing these in the late 80s, and then grunge came along and made them obsolete for a huge portion of the market pretty much the second they came out. This line offered modern designs, modern colors, modern tones…and suddenly everyone wanted the exact opposite.
And that kept them and down for a long, long time. It was mind-blowing to me when I bought my J Bass Plus that I could find an American-made Fender, much less something that had been top-of-the-line, for under $600. But I remember even the haters being like “eventually people are going to figure out that these are great basses for the money and are insanely undervalued,“ and it seems like that day has finally come.