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Fender Rumble Club

Halfway kicking the idea of a 500 combo around, I have the 200 , in general would the 500 get noticeably louder, I would think it would ? store doesn't have one in stock at the moment , I don't know if I would like the 2 10 sound, but if I did I think I would be making a step up .
Back in the day I played 2 215s (SVT). When I put the additional 210 with my Rumble 500 head I was kind of surprised that the sound was very much like the 'old days'. Now time takes a toll on the body (and mind) but the sound of the 2 210s is very much like I remember the 2 215s sound. The 210s give 100W more power handling per cab. I think the 210s suffer a bit from players thinking 10" drivers could never compete with 12s. Check them out at least. YMMV but I'm sold.
 
I know this is a pretty generic question and it's pretty hypothetical at this point as I'm not ready to make moves yet, but...
I'm still mulling over hunting down a pair of those discontinued Rumble 112s in the future.
Would two of the Rumble 112s and a Rumble 500 head handle whatever gigs that a normal low level amateur might get?
As others have said, I would seriously consider a pair of the Rumble 115 cabs with the 500 head. I have played a lot of cabs in my day, and I just can't express enough how great the Rumble 115's sound. If you have not tried them, give it a listen. The 115 and the 112 cabs were the same price, too. Two 115's with a 500 head on top and you are set for anything. Just a thought.
 
I have a Rumble 200. I set it on my Rumble 115 as an extension cab and I'm amazed at the volume and warm tone from my P bass, or any of the 6 other basses I have. The added volume of the extra cab sounds to me as though I have increased it by 2 and a half times! If your 100 works for you in your band, I'd bet the 200 with an extension cab, a 115, would be enough for most bars or even a lot of outdoor events you may encounter. I got the 500 head last week and am sorely disappointed in that it doesn't have a discernable amount of more volume than my 200. I use a 115 and a 410 cab with it. Before I spent 400 bucks on a 500 head or 600 on the combo, I'd spend 500 bucks on a 200 combo and 300 on a 15" extension. Keep the 100 because it's a great amp or trade it in to help offset your cost for the 200c and a 15" extension and I bet you'll be more than happy. If you get a 500c or the new 800c, in order to get the full effect of the watts, you'll still need an extension cab. But now you've doubled what you'd pay for a 200 that will do a lot more than you'd think. For sure dont get the 500c because the amount of money it costs over the 200 is not cost effective given that you have to use an extension cab anyway. If I were starting over and knew I needed an outdoor rig as well as a church or wedding rig, I'd get a 200c and a 15" extension. No way would buy the 500 as it costs a lot more than it sounds. I don't know about the 800, but 10" speakers in bass cabs dont sound as warm as 15's to me. I suppose if you got a 115 neo extension cab, it might sound great, loud, and have a bunch of bells and whistles, but that would cost you a TON more the the 200c and a simple 115 Rumble cab.
Just my 2 cents worth, but I wish you the best and happy shopping!
Great points, all of them. I have a 200c and actually a couple of 115 extension cabs and love them all. I obviously only use one of the 115's with the 200c, but bought a second one so I could use a pair of them with two other (non-Fender) 500W heads I have. Those 115's make anything sound good. But honestly, I have never encountered a situation where the Rumble 200c with a 115 extension was not enough. Including large outdoor shows (with FOH support).
 
You got the palmettos covered, but should have poised a cottonmouth sitting on top for the full FL effect of "the wild". I just killed one this morning behind the pool (I hate those things).
I have a couple of black racers on the property but they're not too cooperative for picture taking. I'm far enough from water that I don't get cottonmouths. Have seen an occasional coral snake. Normally I leave snakes be but Not a coral snake. They gotta go.
 
Back in the day I played 2 215s (SVT). When I put the additional 210 with my Rumble 500 head I was kind of surprised that the sound was very much like the 'old days'. Now time takes a toll on the body (and mind) but the sound of the 2 210s is very much like I remember the 2 215s sound. The 210s give 100W more power handling per cab. I think the 210s suffer a bit from players thinking 10" drivers could never compete with 12s. Check them out at least. YMMV but I'm sold.
I think the two 210s sound absolutely fantastic. Nothing wrong with 115s, but the 500c/210 combination has awesome majesty and power.
 
@OldFunBass
Thank you!
That's an option for sure. I was thinking of starting with one 115 and the 200h because I'm still a little nervous about putting the 350 watts of the 500h through a single 115 since they're only rated for 300. Plus, what Linnin said a few pages back about using a lower wattage to get the sound of an amp being pushed.

@JakobT
I've thought about the vertical 410 as well. That seems like a great idea, too!
That's why TalkBass drives me crazy sometimes!

That's also why I'm thinking of getting heads and cabs instead of combos so I can mix and match. I may end up with a 115 and a 210 in the end and split the difference.

I'm a little ways out from making a move, but I'm trying to find a starting point which will either be a combo or a head and a single cab.

I've got a little more woodshedding to do, but I've been working hard at my lessons and I think sooner or later I might want to hear myself through something more than my 2.5 watt Roland Micro Bass Cube (which I still love!)

Also, my bass is a 5 string Fender P if that helps with any advice.

Thank you again, everyone!
 
@OldFunBass
Thank you!
That's an option for sure. I was thinking of starting with one 115 and the 200h because I'm still a little nervous about putting the 350 watts of the 500h through a single 115 since they're only rated for 300.

@JakobT
I've thought about the vertical 410 as well. That seems like a great idea, too!
That's why TalkBass drives me crazy sometimes!

That's also why I'm thinking of getting heads and cabs instead of combos so I can mix and match.
I may end up with a 115 and a 210 in the end and split the difference.

I'm a little ways out from making a move, but I'm trying to find a starting point which will either be a combo or a head and a single cab.
I've got a little more woodshedding to do, but I've been working hard at my lessons and I think sooner or later I might want to hear myself through something more than my 2.5 watt Roland Micro Bass Cube (which I still love!)
Also, my bass is a 5 string Fender P if that helps with any advice.
Thank you again, everyone!
There are many possible Rumble combinations, and I can’t really think of a bad one. The coupling effect is desirable, however, so I’d go with identical drivers if possible.
 
Back in the day I played 2 215s (SVT). When I put the additional 210 with my Rumble 500 head I was kind of surprised that the sound was very much like the 'old days'. Now time takes a toll on the body (and mind) but the sound of the 2 210s is very much like I remember the 2 215s sound. The 210s give 100W more power handling per cab. I think the 210s suffer a bit from players thinking 10" drivers could never compete with 12s. Check them out at least. YMMV but I'm sold.
I played 2x10" drivers in my old Peavey 1820 cab for 30 years and believe me 10" drivers can hold their own against 12's very very well.
 
The coupling effect is desirable, however, so I’d go with identical drivers if possible.
I share that concern.
I've played a 115 through a 200h.
The next move is to try either a 500c or a 210 though a Rumble head.
I've also thought of running a 200H through two 210 cabs. I could push the head that way and the cabs wouldn't even break a sweat.
 
I've also thought of running a 200H through two 210 cabs. I could push the head that way and the cabs would even break a sweat.
I tell you pushing a head hard, but not too hard, is the key to better sound. Making every watt yell for all it's worth is far better than a bunch of lazy watts whispering.