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Fender Rumble Club

I'm wondering about something.. Regularly I see people state that they put the gain at somewhere around 9 o clock and then the master at around 12 o clock. But hasn't it always been best practice to put the gain as high as it goes without clipping and the master as needed for the output volume? To reduce noise. With my bass I can turn the gain full up and the master lower, or as needed. There's not clipping no matter how hard I pluck.
I just realized the other day just how much better my Rumble 100 sounded if I bumped up the gain just a little more. About 1:00 was where I ended up with it.
 
Good day.

I love my Rumble amps, specifically with the vintage button engaged. I now need a DI. I know that Fender does not make a Rumble DI with a vintage button, so I am looking at other companies for a DI that has “that” sound, like a Rumble with the vintage button engaged.

The closest I have found so far is the Aguilar Tone Hammer pedal/DI. I’m curious if others have also used this and found that they can get “that” sound from this pedal. And if there are other options.

Thanks!

there are eq curves for the buttons in the thread somewhere (maybe wiki too)
thing is thatvitage has some compression too, so an eq+slight compession could do similar
 
But hasn't it always been best practice to put the gain as high as it goes without clipping and the master as needed for the output volume?

Correct. More signal into the tone stack that doesn't need to be "gained" back up to where it started. The exception being if the volume control alone can't get quiet enough because of a poor sweep, cheap pot etc.
 
Good day.

I love my Rumble amps, specifically with the vintage button engaged. I now need a DI. I know that Fender does not make a Rumble DI with a vintage button, so I am looking at other companies for a DI that has “that” sound, like a Rumble with the vintage button engaged.

The closest I have found so far is the Aguilar Tone Hammer pedal/DI. I’m curious if others have also used this and found that they can get “that” sound from this pedal. And if there are other options.

Thanks!


Perhaps the Fender Downtown Express, designed by Alex Aguilar, could be what you seek? :smug:

there are eq curves for the buttons in the thread somewhere (maybe wiki too)
thing is that [vintage] has some compression too, so an eq+slight compession could do similar


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Indeed. I'm going to put casters on it this week! :thumbsup:
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hey rumble fans!

does the rumble 200 combo have the same speaker or speaker sensitivty than the fender rumble 115 cab? because the combo alone delivers 140 watts and the 115 cab has 300 watts continuous watts power handling! ... ... ...


Yes, blackie, according to this Rumble Talk on Rumble woofers, the Rumble 200 combo and the Rumble 115 cab do have the same speaker! Although, it does seem like a lot of giveaway to put a 300 watt speaker in a 140 watt (tops) combo, apparently they think it's worth it to ensure they never accidentally put a 140 watt speaker in a cab advertised at 300 watts. :rolleyes: The Rumble talker didn't mention it in that post, but he had an anonymous inside source at Fender that he got his info from.​

... ... ... and related to the first question, would a 180 watts 8 ohm head paired with the 8 ohm 115 rumble cab be louder than the rumble 200c alone?

and later on, when i would add a second cab, : does the head with 280 watts @ 4 ohm with one 115 fender rumble cab + 112 kong cage gorilla neo deliver more bass thunder than the rumble 200 c with the 112 kong gorilla neo cab paired at 4 ohm? ... ... ...


It's impossible to know these theoretical answers without testing, or at least tons more given data, blackie. As soon as one says "all things being equal, yes" then all things are not equal! Such as:

2. The R200c and the 115 cab have different sizes, which will certainly affect tone and possibly even volumes from them.​

D. Your theoretical 180/280 watt head is probably actually different ratings in real life. And, even if not, it is bound to be different preamp & power amp from the R200c.

♤. Your Kong 112 neo cab is gonna be oh so totally different from the Rumble 115 ceramic cab, so no one can say how they compare.
But, yeah, sure, "all things being equal." :D:laugh::roflmao:
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I'm wondering about something.. Regularly I see people state that they put the gain at somewhere around 9 o clock and then the master at around 12 o clock. But hasn't it always been best practice to put the gain as high as it goes without clipping and the master as needed for the output volume? To reduce noise. With my bass I can turn the gain full up and the master lower, or as needed. There's not clipping no matter how hard I pluck.


Jogo, the Rumble Gain is not your classic gain control. Plus, it is very interactive with other controls. This Rumble Talk on Gain Structure may be of interest. But, if what you're already doing is working for you, then ... ... Rumble On! :thumbsup:
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Jogo, the Rumble Gain is not your classic gain control. Plus, it is very interactive with other controls. This Rumble Talk on Gain Structure may be of interest. But, if what you're already doing is working for you, then ... ... Rumble On! :thumbsup:
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And, thereby hangs the tale: If one gets the tone they're looking for with some 'oddball' settings, then the search is a success. What I want in tone may be completely 'wrong' for the next person.
 
And, thereby hangs the tale: If one gets the tone they're looking for with some 'oddball' settings, then the search is a success. What I want in tone may be completely 'wrong' for the next person.


And that is also why you can't convince anyone who doesn't like a tone (with 'oddball' settings) to re-EQ to something more reasonable for a better tone. What they think they want in settings may have worked once long ago, on an amp far away, but they don't work on every amp everywhere! o_O
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And that is also why you can't convince anyone who doesn't like a tone (with 'oddball' settings) to re-EQ to something more reasonable for a better tone. What they think they want in settings may have worked once long ago, on an amp far away, but they don't work on every amp everywhere! o_O
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Yup. On my 1963 'piggyback' Bassman, I set bass at 10, treble ~5, volume 5-ish, and presence 10(Bass channel-EB-3 on neck pickup). Do that on a Rumble and it'd be "mud city".
1963-Fender-Bassman-004.jpg
 
Hey everyone! Quick question regarding the 800c DI: does anyone know if the output switch (low/high) will affect the DI signal to the FOH. In either pre or post eq mode, if I flip that switch will the FOH get more or less signal or is it unrelated. I know the switch changes the amp from 400w to 100w internal just wondering if it’s integrated into the DI at all.

Thanks!
 
Jogo, the Rumble Gain is not your classic gain control. Plus, it is very interactive with other controls. This Rumble Talk on Gain Structure may be of interest. But, if what you're already doing is working for you, then ... ... Rumble On! :thumbsup:
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Thanks, I had a read and understand it better now. I CAN turn the gain knob all the way up without clipping but that's just my old school thinking. On the rumble it will affect the overdrive and vintage options. Which is as expected for me. I play with a passive bass that has a passive active switch. I usually run it passive though. I have the active circuitry setup up so that the volume is about the same as the passive mode. This is lower than your average active bass so the 3 o clock position works fine for the gain on this bass.

But what I don't get.. I tried the master at noon and regulate the volume with the gain knob, but that makes me think I'll never get the full power of the amp that way. Gain at 3 o clock gives me a lot of headroom on the master.
 
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And that is also why you can't convince anyone who doesn't like a tone (with 'oddball' settings) to re-EQ to something more reasonable for a better tone. What they think they want in settings may have worked once long ago, on an amp far away, but they don't work on every amp everywhere! o_O
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I don't base tone on settings on the amp. I use my ears for that. Not maxing out the gain stage seems counter intuitive to me as it will limit the maximum power I can get out of the amp.

With the shape buttons off and the EQ set at what's supposed to be flat for the Rumble I get a tone I like. Turning up the gain or the master both makes it louder. But with the gain stuck at 9 o clock I don't get even close to the full 350 watts of output. With my bass I can turn that gain up to full and get the most out of the amp, logically.
 
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Correct. More signal into the tone stack that doesn't need to be "gained" back up to where it started. The exception being if the volume control alone can't get quiet enough because of a poor sweep, cheap pot etc.

Thanks, for confirming what I thought was the right way. I do turn the gain down when practicing in my apartment. Because that's the only way to get the amp to output lower volume :)
 
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Hey everyone! Quick question regarding the 800c DI: does anyone know if the output switch (low/high) will affect the DI signal to the FOH. In either pre or post eq mode, if I flip that switch will the FOH get more or less signal or is it unrelated. I know the switch changes the amp from 400w to 100w internal just wondering if it’s integrated into the DI at all.

Thanks!


No, B, the XLR Out is upstream of both the Master volume control and the power Output switch, so neither of them can affect the "DI" signal level. See the Rumble 800 Combo Block Diagram. :thumbsup:

Do you have an R800c yet, B, or any other Rumble? I'd be glad to bestow a free membership upon you. Photos aren't required, but they are encouraged. :)
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No, B, the XLR Out is upstream of both the Master volume control and the power Output switch, so neither of them can affect the "DI" signal level. See the Rumble 800 Combo Block Diagram. :thumbsup:

Do you have an R800c yet, B, or any other Rumble? I'd be glad to bestow a free membership upon you. Photos aren't required, but they are encouraged. :)
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Thanks for the reply G-Dog. That makes sense, I appreciate the info! Yeah I have a new Rumble 800c and love it so far! I’d love a number. Pics to come!
 
Thanks for the reply G-Dog. That makes sense, I appreciate the info! Yeah I have a new Rumble 800c and love it so far! I’d love a number. Pics to come!


Aaii-EEeee! @Bfresh29, you are now member #1612 in the Fender Rumble Club. Congratulations and welcome. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.

How 'bout telling us a bit about yourself, B, such as your bass experience in general and your Rumble journey in particular? Or, do you have any comparison of the tone of the R800c to any other Rumbles? You're bound to fit right in here since we have all kinds. But we all love to ... ... ...

Rumble On!
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Thanks for the info and the welcome wagon too!
As for me, I first got my paws on a bass at a friend's house at the tender age of 12. By 13 (1976) I owned my own Gibson EB-2 hollow body bass. It was a dog, but it made me look like Jack Casady a little. This went through an old Kustom 115 combo until I got my Acoustic combo a year later.
I've mainly been playing rock, blues, folk and jazz since then, covers and originals (yes, I took up guitar around the same and even "retired" from bass for several years while my wife held down the low end for me).
Now, most of my bass gigs are on an Ergo standup electric bass playing Django Reinhardt songs and up-tempo swing tunes in a 7-piece band. I will, however, be playing my Fender P-Bass Lyte through the Rumble 500 at a Grateful Dead-related gig tonight.
I am glad to be here! Also, I'll add a photo of my Rumble in short order. I'm on my "work" laptop at the moment...
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