Here Ya Go! No Good Crap Plastic From Late 1970's CBS owned Fender
I paid nearly $1,000 for this 1979 Fender Studio Bass Combo
I paid nearly $1,000 for this 1979 Fender Studio Bass Combo
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so can I safely assume that when CBS bought out FENDER, they started making cheaper parts, transformers, knobs, switches, etc?Here Ya Go! No Good Crap Plastic From Late 1970's CBS owned Fender
I paid nearly $1,000 for this 1979 Fender Studio Bass Combo
Have you tried one of your 112s with it yet?Really love the Ceramic-Ferrite magnet driven motor in the Rumble 200 combo (same driver in the Rumble 115 cabinet). It's got the MoJo. I've played through the best of the best AlNiCo magnet driven icons of the 15" rock 'n' roll bass legends, and let me tell you this new Eminence woofer rocks with the best of them. Hands down. One. Amazing. Woofer.
Is it the best? No. Is it great? Absolutely!![]()
No, not yet.Have you tried one of your 112s with it yet?
Really love the Ceramic-Ferrite magnet driven motor in the Rumble 200 combo (same driver in the Rumble 115 cabinet). It's got the MoJo. I've played through the best of the best AlNiCo magnet driven icons of the 15" rock 'n' roll bass legends, and let me tell you this new Eminence woofer rocks with the best of them. Hands down. One. Amazing. Woofer.
Is it the best? No. Is it great? Absolutely!![]()


Here Ya Go! No Good Crap Plastic From Late 1970's CBS owned Fender
I paid nearly $1,000 for this 1979 Fender Studio Bass Combo

Ah-Ha! You have the best of the best! Since 1951 the very first and best selling, and most copied Electric Bass Guitar ever in the known universe today = Fender Precision Bass. Running an extremely close second = Fender Stratocaster Electric Guitar = the very best selling, and most copied electric guitar in the known universe today.
Right now the very best selling amps in the known universe today are the Fender Champion 100 Electric Guitar Amplifier, and the Fender Rumble 500 Electric Bass Guitar Amplifier.
When you want the best -Buy Fender!
I really looked for the Fender Studio bass combo amp in 2006, and surprisingly hard to find in california. The studio bass was remarkably hard to find. Moreover, at 300 tube watts, compact, and unreachable in 2006... that was the big one! And not so sought-after. I once played a fender silver-face 6x10 monster on stage, named "super six reverb", while touring in Florida at Tampa's AT&t park, and was stage gear. That was 100 tube watts with really good speakers, and likely a great amp for guitar, but I used it for the night on an open stage playing reggae bass. It was my moment of awakening...when it comes to Fender tube amps/cabs. My rumble v3 500c and 210 are killing it today. I still remember those old days. AAAhhhhhhhh!
You said it, the the deoxit v5 fader lube. Here's a pic. I won't suggest spraying on the knob to get results. But, if you have the chance spray it into all the input jacks and aux jacks.... a world of difference... or not!??Deoxit makes a product called Faderlube which I prefer on knobs because regular contact cleaner can often remove the lubrication right off of knobs and faders. Faderlube will clean AND lubricate your knob.
That is the most "that's what she said" sentence I've ever typed on this board.
Yeah, I should have that it will clean and lubricate your potentiometers, but I just wanted to say lubricate your knob.
Yes of course we know where your ''head'' was.Yeah, I should have that it will clean and lubricate your potentiometers, but I just wanted to say lubricate your knob.
Back to the Super Six by Fender. The one I played that day at an open stage festival changed everything, tube/cab wise. Since then, nothing has been the same. Waiting to try a Fender Studio Combo bass amp. 300 watts of tube power. Till then, my v3 500c with 210.I really looked for the Fender Studio bass combo amp in 2006, and surprisingly hard to find in california. The studio bass was remarkably hard to find. Moreover, at 300 tube watts, compact, and unreachable in 2006... that was the big one! And not so sought-after. I once played a fender silver-face 6x10 monster on stage, named "super six reverb", while touring in Florida at Tampa's AT&t park, and was stage gear. That was 100 tube watts with really good speakers, and likely a great amp for guitar, but I used it for the night on an open stage playing reggae bass. It was my moment of awakening...when it comes to Fender tube amps/cabs. My rumble v3 500c and 210 are killing it today. I still remember those old days. AAAhhhhhhhh!