Right, bit of a kit update. I finally pulled the trigger on a set of 64 Audio A6t customs. I’ve been dragging my old UE6 Pros through 40 wedding gigs a year for nearly five seasons now, and they’ve finally started to feel a bit congested and "tired" during those long second sets.
I’m running a 5 string Jazz Bass into a Darkglass Anagram on a silent stage, so separation is everything for me - especially with two singers panned hard left and right and tracks right down the middle. I’ve got a Backbeat G2 to handle the physical rumble on my strap, so I went for the 64s mainly for that clinical midrange clarity everyone raves about.
Design wise, I went with Translucent Platinum faceplates on Charcoal shells. I wanted something that would actually catch the stage lights and look like a proper piece of engineering from the back of the room.
For those of you gigging the A6t, how’s that low B definition treating you? Is the jump in separation as noticeable as the price tag suggests compared to the older hybrid models?
Cheers!
I’m running a 5 string Jazz Bass into a Darkglass Anagram on a silent stage, so separation is everything for me - especially with two singers panned hard left and right and tracks right down the middle. I’ve got a Backbeat G2 to handle the physical rumble on my strap, so I went for the 64s mainly for that clinical midrange clarity everyone raves about.
Design wise, I went with Translucent Platinum faceplates on Charcoal shells. I wanted something that would actually catch the stage lights and look like a proper piece of engineering from the back of the room.
For those of you gigging the A6t, how’s that low B definition treating you? Is the jump in separation as noticeable as the price tag suggests compared to the older hybrid models?
Cheers!