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Originally posted by Rockinjc
Good call PacI knew he wouldn't do it.
jc
Originally posted by Pacman
But the truth is, the average fingerstyle player has far more versatility in tone than does the average pick player.
Originally posted by lister423
Like I said, fire away. It won't matter. I'm not a teacher with something to teach you. I'm not one of your beloved wankers. I just play solid basslines and earn a living doing it.
Originally posted by Pacman
Well, here's the scoop lister. You've violated the usage agreement (twice now, read the rules). One more and you won't be posting in technique again.
I didn't question your abilities because you said you used a pick. I questioned your abilities because a) you said that an established band were buffoons and b) you sound completely ignorant. Quite often people come in here and make big statements. The problem is, on the internet it's easy to be a 14 year old tool and say that you're a studio pro who's work is to do uncredited overdubs. That's a great story, by the way. You've managed to sound like you've got a gig and yet add no credibility to your story whatsoever.I asked you to post something where we can all get an idea of what you're really all about. But I think most of us know already.
As far as me having a double standard, no score there either, chief. I told the original poster that as long as he was starting out, might as well learn both. And if I had pick chops as good as AJ, I'd use 'em - when it was appropriate. But the truth is, the average fingerstyle player has far more versatility in tone than does the average pick player.
As for the rest of your sensless rant, I'll just leave it alone. Just remember, champ, read the usage agreement. If you violate it again, you're out of here.
Originally posted by lister423
The truth is, I expressed an opinion that's 180 degrees from most of these discussions. And you and your buddies can't answer it.
Originally posted by lister423
Jazz by its origin it ought not be concerned with orthodoxy. But you'd have to be living under a rock not to know that jazz today is governed by a rather rigid orthodoxy. It's of no concern to me anyway, nor to the music-buying public since jazz sells so poorly.
hmmm, and I thought I bought a house with the money I've made playing bass. Thanks for setting me straight - I guess it's a rock. I play jazz 4 nights a week and I'm governed only by my imagination and technical limitations, there are no "rules", rigid or otherwise.
I would love to, but I'm a studio pro whose work involves uncredited overdubs and otherwise fixing others' inadequate work by getting a good sound to tape (I use my pick or my fingers as necessary). It's not my property to post.
this implies you make your living in studios. I have a project studio in my house, so does half the planet. Are you really trying to tell me you make your living at fixing amatuer recordings? Don't try to snow the snowman, as someone here once said.
Of course I could record something at the studio for you, but why? Are you one of Flea's friends? I doubt it. Your true colors are showing. You wouldn't ask an anti-picker to back up his views, would you? No, of course not.
yeah, my true colors are showing. I've asked many fingerstyle players to back their words up, hang around here long enough and you'll probably see it. My true colors are this: you wouldn't make such an outrageous claim if you had actual experience in the matter, so I'm asking you to show me how 'versatile' you can be with a pick. But you've decided not to lend credibility to your claim.
The truth, Pacman, is that you're willing to throw a few crumbs of approval at pick players as long as they properly respect the undeniable superiority of fingerstyle, worship Jaco, and ride on the back of the bus. Perhaps someday you'll open your eyes and see that the bus has passed you by and that you and your fellow travelers don't control bassdom, never have and never will. Fire away, it doesn't matter in the real world.
But the truth is, the average fingerstyle player has far more versatility in tone than does the average pick player
Originally posted by purple_haze
Be that as it may, IMO pick tone is far superior to finger tone, even if finger tone is more "versatile". Quality not quantity.
But that's probably because I play a lot of rock and metal.
Woah woah woah woah woah woah woah...Originally posted by lister423
BTW, if I were a 14 year old I'd be saying "ur" instead of "you are", I wouldn't know how to capitalize, and I'd be saying everyone was "gay" if they didn't agree with my adoration of the latest slap hero. But even if I were 14 and not a bassist, you would still be avoiding the fact that you have a double standard and can't take it when the tables are turned on you.
Originally posted by Lovebown
I can't really see any pros with using pick rather than the specific "pick tone" you get. I think speed is better accompished by fingers, but hey thats me.
Have fun,
/lovebown
Originally posted by Pacman
you know, Lovebown, I responded to this before, to show that you can have serious speed with a pick. but I failed to agree with you on the tone thing....
now, see, this is a great example of how to say what you want to say. (thanks, haze) Not only does he say what he wants to say, he backs it with why he thinks that way. You could take lessons, lister.
Originally posted by lister423
This is soooo predictable, and therefore lots of fun. Go back to my original post, and tell me it's anything other than just my opinion which is contrary to most of yours. But most of you just can't take a difference of opinion, so you attack me instead. You can't take it that somebody actually feels that fingerstyle is less versatile than pickstyle. So you attack me instead. You may tolerate the pick, as long as everyone is clear that it's inferior, but when I disagree, you attack me instead of my opinion. Like I said, fire away, I expected it.
ok why don't we do that?[/b]
Originally posted by lister423
(a) Fear of dropping picks is about the lamest excuse I've heard for not using one.
looks like an attack to me, opinion or not.
(b) You can do so much more with a pick. It's much more versatile and offers far more opportunity for personal expression.
agreeably an opinion, although expressed as fact, and with nothing to back it up. Can you show us something to back up that claim, as I've done before for fingerstyle? If you can't your opinion is baseless.
(c) No technique is essential...unless you're a jazz robot who adheres to rules of jazz orthodoxy.
jazz robot? I guess that's another opinion, and not an attack....![]()
(d) Is that a threat? Oh wait, I get it, you mean pick as in select. No, I won't dare select a Chili Peppers song, I don't like emulating buffoons.
another attack, although this was not on a Talkbass member. And since the peppers don't really need do be 'defended' from you, we'll leave that alone.
Now we have our moderator telling us how he built his house by playing jazz...well, if that's true, more power to you, but I'm talking about RIAA sales figures, not your personal situation. And since I'm not you, I won't even ask you to prove it by posting your income sources online.
I'll type this slowly so you'll understand. I made the house comment because you inferred I was living under a rock. (clue: that's called sarcasm)
Those of you with studio access and the proper scope should take a look sometime at the frequency response of a rigid pick vs. your fingers, played with equal force. Not that I expect it to open your eyes.
Well, I must go work on my piano. I'm pulling off all the keys. After all, musn't put anything between the strings and my fingers.....
The jazz/choir teacher at my school say that "real bass players don't use picks." How narrow minded. All depends on the style if you ask me.