Bob Branstetter said:OK Mike, what trade secret are you referring to?
Bob's best method of shimming a fingerboard. You said' that's not how I'd do it' which implied to me there might be more to come? All this comes from writing a report (whilst at work) and keeping up with my favourite luthier discussions.
I hastily read back the rest of the thread to check I haven't been a total idiot
. It may be that it's all done in the same way, so your discussion makes perfect sense - but not to ignorant me. For instance, do you make up a shim off bass and if so how do you get the angle right or adjust it afterwards or even decide what it should be? I note your reply about reshaping the back of the neck afterwards, which implies to me that this should be seen as a more-or-less permanent alteration if it is to be done properly - not a decision to be taken lightly. In that case, the decider needs to know more about the properties of the intsrument and its ability to handle the alteration than assessing the beniefits to playability from the changed angle. You could end up with a super high bridge and raised saddle to lower the tension down to what can be coped with if you were daft enough?I've learnt so much from you and your luthier colleagues that has helped my understanding of the bass that I'm just greedy to know. Most enlightening are often discussions you have that have no direct relevance to what I'm likely to do to my bass either. If you can stand the grovelling, top luthier contributions make this site truly great for me.
