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BA300's cool but I'd rather have a PF rig. Hits my buttons.Hmmm.... might have to investigate the Portaflexes... Could give me a good reason to jetison the BA300.
BA300's cool but I'd rather have a PF rig. Hits my buttons.
I agree that the B15 has limited tonal range, in that it is only good at reproducing sounds from 20-20,000 Hz. Heavy and low powered by today's standards, I get.
I play a Genz-Benz now, which is almost laughable. I've played plenty and owned a few amps in my life, including tube amps. Mesa 400+, Peavey Roadmaster Festival Series, Ampeg V4-B, plenty of solid state Sunns, and old Acoustics. But now I don't even see why other amps exist.
I'm guessing the B15 does not deliver much of anything below 80-100Hz, or above 10-12kHz (Baxandall treble EQ control is something like +10/ -30db @ ~5kHz).
And the specs on the B15N shows ~ 96lbs (for a 25w 1x15 rig!)![]()
lots of love here for these little (but heavy and underpowered) bits of bass playing history. Used several myself over the years, but IN MY OPINION it is not the final word on bass amplification by any stretch of the imagination.
enjoy!
I don't claim this to sound _exactly_ the same as a B-15, but ... the B-15 emulation on the Tech 21 VT Bass Pedal sounds pretty damn good. I use mine through the line-in jack on an Ashdown ABM 500 EVO Series II head and into a Schroeder 1515L and it sounds remarkably good with a flatwound strung P-Bass.
IMHO the Aguilar Tone Hammer 500 can get close to the b-15 - the drive circut rounds out the tone prety well so if you turn up the drive knob it gets closer to the b-15 tone. People say that the Aguilar is not as bright compared to the GB, but it does give that gritty tubey sound pretty easily. You can pair that with a 1-12 cab and you have a good gigging rig.
I have never played a B-15, but the Ampet B100R, which I own, and the B50R, which I also own, supposedly do a great SS imitation of the B-15 amp. I love mine with my Hofner Icon basses with LaBella flatwounds!
The B-15 is a great amp, and it definately has that "thing" it does that's very cool. but it's under powered for "most" of the gigs I do. Our stage volume is stupid loud sometimes, and the B-15 just couldn't hang. I like the headroom and tonal flexibilty I get from the Genz Benz gear I use.
Your comments above about GB being "almost laughable" and "I don't even see why other amps exist" to me is a little short sited and doesn't make much sense, if you have really owned and used the amps you mention. Most amps have their own personality (so to speak), and it would be a very boring "Bass World" if there was a single personality to deal with don't you think?
But having said that, I use the VT Bass pedal to get a similar B-15 sound for some tunes we play (both original and covers).
Fixed it for you!
Also, and margarine tastes like butter. And aspartame tastes like sugar, Miracle Whip tastes like mayonnaise, and turkey burgers taste like beef.
IMO nothing really sounds like, or can truly capture the experience of an all tube amp, and the B15 has its own niche even within the all tube amp world. However, as with the culinary examples above, to utilize the real deal you have to be willing to endure the saturated fat of butter and mayonnaise, the calories of sugar, and The weight, low output, and lack of features of a B15 Portaflex.
Of course that doesnt mean you have to agree that its the ultimate tone monster, or that you even have to like the way a B15 sounds.
I suppose the hackneyed phrase it is what it is comes to mind, but as far as Im concerned, as with any all tube amp; if youre serious about wanting/needing the tone and nuances of a B15, you really need to get a B15.
Merry Christmas, or whatever holiday salutation is relevant, to everyone!
I have no problem with this assessment. I am quite satisfied with the "margarine" flavor of the B50R or B100R. They work fine for me. Someday, if I get to play through a B-15, and just can't live without it, I will try and buy one. Even then, it will stay in my music room, and I will gig the easier to transport B50R. I played a gig last night and no one said "Your bass tone is more fat-free than real butter." They did say the bass sounded great and so did our band. That is good enough for me!![]()
I'm not going to lie...there are times I really appreciate having a Micro VR stack and a VT DeluxeBut the B-15 really isn't a big deal to move around...not like an SVT. And I absolutely think people underestimate its ability to deliver volume. It's not a quiet amp, especially with two cabs. And I think the rest of you play way too doggone loud
Merry Chrismakwanahanzikah!
Fixed it for you!
Also, and margarine tastes like butter. And aspartame tastes like sugar, Miracle Whip tastes like mayonnaise, and turkey burgers taste like beef.
IMO nothing really sounds like, or can truly capture the experience of an all tube amp, and the B15 has its own niche even within the all tube amp world. However, as with the culinary examples above, to utilize the real deal you have to be willing to endure the saturated fat of butter and mayonnaise, the calories of sugar, and The weight, low output, and lack of features of a B15 Portaflex.
Of course that doesnt mean you have to agree that its the ultimate tone monster, or that you even have to like the way a B15 sounds.
I suppose the hackneyed phrase it is what it is comes to mind, but as far as Im concerned, as with any all tube amp; if youre serious about wanting/needing the tone and nuances of a B15, you really need to get a B15.
Merry Christmas, or whatever holiday salutation is relevant, to everyone!
My B15 doesnt go along for gigs; I mostly play in what is in my opinion a fairly "boisterous" rock bands and generally play without PA support, but with all this 25 watts and underpowered talk, in my opinion, its obvious that some havent actually used one.
Mine has a JBL D140F in it, and in my opinion its plenty loud enough to hold its own with an unmiced drum kit, even with a heavy hitter, and I wouldnt hesitate to use it in a smaller venue if the kit was going acoustic. I know JimmyM says he has used his B15 unsupported in a live band setting in good sized venues using an extension cab.
In my opinion persons with a modern transistor rig mindset may underestimate the SPL potential of a healthy Portaflex.
You're right that the highs drop off after 10k in the B-15 head. But the lows only drop off slightly and it does 20hz easily. The lows from the speaker go much lower than 80hz, though...I'd say closer to 40 as its 10db down point. And the speaker also cuts off everything past 4k, so it's all good to me...that's low and high enough. And the 96 lbs is for the 70's B-15's. The 60's models weigh much less, probably closer to 75. But who cares? B-15's aren't for those looking for 20-20k flat frequency response or those who obsess over having light gear. They aren't the final word in bass amplification, but they are the FIRST word in bass amplification, and I don't think anyone's come close to surpassing it in the tonal category. Just my opinion...as well as a few hundred thousand other bass players
Bass Gear Mag 4th issue has a full bench test of Tom's B-15NF... [Invalid or Expired Link Removed]
Ya, I've heard from dudes in Texas that the bands are super loud there, like 100w guitar amps turned all the way up. Ya, in those situations I'd bring the SVT or PF350. Try that on a Bowzer show and see how long you last![]()
I play a Genz-Benz now, which is almost laughable.