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First Build, Fanned fret 5 P
- Thread starter need4mospd
- Start date
I think I get what you're saying. But it seems like it wouldn't make that much difference. I'm no luthier though...
It would make sense that that one looked the best, I worked on that one the longest and it's a bit more refined. I just dropped the standard Fender headstock on because I could easily trace it in 5 minutes. I'd probably work that curve into the 4+1 since it does fit very well, it makes it my own and yet still draws from the inspirational Fender headstock.
Looks like the opinions are pretty mixed on the headstock. Not only with you guys, but with me too! I'll toy around with it again tonight.
- Aug 5, 2005
- 7,243
- 92
- Disclosures
- Endorsing Artist: J.C. Basses
Looks good, but your drawing confuses me. You have the ends of the fretboard lining up extremely close to the center of the bridge saddles. Why?
Ever played a Dingwall 5? 37"-34" fan. You might reconsider your scale length...
Also, a 4+1 headstock gets my vote. Since Fender uses this design, it makes sense for aesthetic reasons.
Ever played a Dingwall 5? 37"-34" fan. You might reconsider your scale length...
Also, a 4+1 headstock gets my vote. Since Fender uses this design, it makes sense for aesthetic reasons.
That's just drafting lines I didn't clean up. The fretboard would stop at the curvy line to the right of the pickup. I debated stopping the fretboard just after the 24th fret and leaving the neck exposed there, but I think I'll just extend the fretboard to cover it up. I may fret that piece just so it looks consistent, or maybe do an inlay there... It's gonna have headstock access for the truss rods so I think that works well. Open to criticism there of course...
Not only have I played a Dingall 5, I own one and it's the reason I'm building this with a 35"-32" scale!
I love the sound of a 37" B, IMO there is nothing better. It's just a tad too long for me though. I really dig the 35" scale and I think it would be a good compromise to fan from that point. I could be totally wrong, but I think it'll be the perfect combo of playability and feel for me. It'll probably sound a bit closer to an original P bass as well, or at least the E&A strings should and those are the only ones I use. 
This thread is seeing a lot of action for one without any wood pics. I'd better get started soon!
Also, if anyone wants to photochop the bass in British Racing green with black hardware/pick guard, I'd love that. It's either that or chrome hardware and a white pearly pick guard. Either way, the body color is non-negotiable. Matching headstock optional.
Also, if anyone wants to photochop the bass in British Racing green with black hardware/pick guard, I'd love that. It's either that or chrome hardware and a white pearly pick guard. Either way, the body color is non-negotiable. Matching headstock optional.
Definitely dig the original design. Classic but different.
Can't wait to see the dust fly. Gonna be a sweet build to watch. =)
Can't wait to see the dust fly. Gonna be a sweet build to watch. =)
Actually, the Dingwall SuperJ5 is 35"-32", the same as on this model.
I like 4+1 best, 1+4 second.
Awesome. I wonder if Dingwall ever threw a P on one of their Super J5 models?
That's a pretty big fan over only 5 strings. Nearly a 30 degree angle at the first fret opposed to 23 degrees.
- Apr 20, 2009
- 2,620
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- Endorsements: your name could be here, Mr. Sadowsky!
There's a PJ option for the 4-string SuperJ and it's very popular; but PJ not available on a SJ5 yet.
There have been a few fan-made mockups of a SuperP model over on the Dingwall forums a few years ago, but it's been a long time and the pics are not online anymore. It looks closely like this design of yours, apart from the pickguard and the headstock. It's no surprise really, this is the most obvious, simplest and best approach to a fanned fret P bass.
Hey, just realized you're the guy that did the SuperSR5. I really dug the headstock you did, like the Dingwall routed channel headstocks only a tad different. I may actually play with that idea myself since I'm already stealing ideas from at least 2 different designers, what's another?
Hey, just realized you're the guy that did the SuperSR5. I really dug the headstock you did, like the Dingwall routed channel headstocks only a tad different. I may actually play with that idea myself since I'm already stealing ideas from at least 2 different designers, what's another?
Well, I can't say anything since the SuperSR5 headstock is pretty much stolen. It's a EBMM SR-shaped SuperJ headstock
Even the logo is a Dingwall ripoff If you're considering routing the headstock, I strongly advise matching the headstock to the body finish, but leaving the maple routes visible. Like you can see on many SuperJs, and on the white SuperSR5 render I did. Shouldn't be too hard to pull of, but easily worth the effort
Well, I can't say anything since the SuperSR5 headstock is pretty much stolen. It's a EBMM SR-shaped SuperJ headstock
If you're considering routing the headstock, I strongly advise matching the headstock to the body finish, but leaving the maple routes visible. Like you can see on many SuperJs, and on the white SuperSR5 render I did. Shouldn't be too hard to pull of, but easily worth the effort
I was pretty set on the matching headstock anyways, in fact I've practiced on my "practice" bass that I've pretty much torn up to a realm of unplayability that no bass should be in.
Okay, you guys inspired me to get off my butt and buy some wood.
First piece of wenge will be the fingerboard, second piece I'll rip in half and use two pieces for neck laminates. I decided to go 5 piece neck since there was some cheap wenge in the scrap bin.
First piece of wenge will be the fingerboard, second piece I'll rip in half and use two pieces for neck laminates. I decided to go 5 piece neck since there was some cheap wenge in the scrap bin.
