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Hahaha, I feel like I said that....I like the whole thing, though the headstock has a bit of a Dingwall vibe.
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Not that it's necessarily a bad thing
I'm hopeful that the step part helps separate it a bit..... I know it's kind of Ibanez looking and also a little Dingwall in it too. ...
I feel you nailed it. It's specific enough to be recognizable, but will still fit different body styles.This is also my attempt at coming up with a headstock that I can use for future builds, that says "That's Tim's headstock".

Agreed. It's "vibrolo" or nothing.Okay, that Sophia looks amazing!
But - for Floyd’s sake they need to STOP calling it a “tremolo”!!!
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You say "trembEHto", I say "trembAHto".....I prefer trembato, but whatevs.
Okay, that Sophia looks amazing!
But - for Floyd’s sake they need to STOP calling it a “tremolo”!!!
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And this will make me sound incredibly vain, but I choose my trembatos based on aesthetics as a primary factor. Bigsbys look awesome on something vintagey and 50s'ish. A stock strat style trem looks good on 60's era instruments. To me, a Floyd or Kahler looks perfect on anything 80's through current in terms of overall style, and the Sophias and other weird ones are perfect for the more unusual far out modern designs. I think it would be hard to pull off a Sophia visually on a tele.
Tim I want to commission an instrument, but I want the top to be heavily carved everywhere. Thoughts?Oh God no, I hate carved tops. I think I mentioned that earlier in this very thread too.![]()
