And gold ball ends. Can someone please help me identify these flats? They were strung on a Jack Casady at my local GC. They're extremely smooth, not sticky at all. The color is a light purple, the headstock picture matches best.
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Invalid Link RemovedWow, thanks every for your help and rapid response. I'm off to go buy a set!![]()
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Too much stupid bridge design. The strings are fine on any normal bridge.TOO MUCH CLOTH! the yarn-y part is in the bridge saddles.
I agree with that being a stupid bridge, but I have several normal bridges which would have the same problem.Too much stupid bridge design. The strings are fine on any normal bridge.
I don't know really. To keep the winds together maybe. Or it could be an aesthetic thing since the wraps at the bottom are always kinda crooked before they straighten out for the rest of the string.I agree with that being a stupid bridge, but I have several normal bridges which would have the same problem.
Is there any reason for yarn to even exist on the bottom? I've never encountered an unwinding on the ball end of any string.
They're a lighter shade of purple and the winds are closer together. The cobalts have gaps between the winds.I thought the Pyramid Gold, flat, long scale strings had purple silks, too.
They look like they would be rough feeling.They are the best flat going IMHO.
I don't find them rough, but others have complained about them being sticky at first. A quick wipe down with an alcohol soaked rag usually fixes that problem. I find smooth flats get stickier when trying to slide etc... because they build up with gunk because it has no place to go. I haven't tried all flats, maybe 4 or 5 different ones in the past couple years but these have been my favorite so far. They have a beautiful balanced sound without being bottom heavy or thumpy. I personally like that.They look like they would be rough feeling.
They look like they would be rough feeling.