what I missed off my Matt garrison piece on the TB homepage is that Matt is doing a tour of Japan to promote Fodera basses with a Japanese dude who is basically the rep over in Japan and has this list of crazy rich clients who are prepared to pay - wait for it - well in excess of $12,000 for a Fodera. Matt knows this is nuts nut I have it on good authority from a Japanese guitarist friend of mine who says these business men types (the ones who also buy Van Gough paintings for $22 millioin+) literally hang the bass on the wall like a piece of art - just nuts man.
My thoughts are on all this, IMO, over-pricing is that the sort of tone that you get, say from a Wooten model Fodera, is achievable by other means, and certainly with a different bass. I can get a very Wooten-esque tone from my Warwick Thumb, so much so that a friend of mine said (when I played him some 'Stomping Grounds' - which has that bass intro) that he said <b>"Oh, does Wooten use a Warwick...?"</b> - because he'd heard me play it with a very similar sound on the Warwick - you don't need one of his basses, or an Anthony Jackson bass, or a Matt Garrison bass etc. to sound like them - which is kind of what you want to avoid in the long run anyway - because you want <b>YOUR OWN SOUND</b>....
This is an idea I recorded using my Warwick as a tenor bass - apologies for the sligthtly 'sketchy' bits - I have made this into a full song which is currently awaiting completion in Cubase - but it gives you a good idea of the tone:
<b><a href=http://www.munkio.com/music/Victor/Sketchin%20-%20(Tenor%20Bass).mp3>Sketchin'</a></b>