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Foo Bass

Elias Graves

Guest
May 25, 2015
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Greetings, bass enthusiasts. My name is Elias and I'm a songwriter and guitar hack.
And I'm a hopeless gearhead in everything I do. Lol. It all started innocently enough, upgrading a set of tuners, I think was my first fix. It's been steadily downhill from there. Before I knew it, I was making guitars. It's a sickness, I admit, but it's healthier than chasing skirts and spending money at bars. :D
My brother, affectionately known as Foo, has been watching my progress as a guitar builder and was sufficiently impressed that he's asked me to build him a bass. He plays bass. I don't think I mentioned that.
Anyway, his #1 since forever ago is his 73 Jazz sunburst. We recently put a new neck and pickups on that one. He also has a 2008 (?) MIJ Jaguar bass.
He plays mostly rock n roll and blues of about any variety except maybe serious metal.
Now, despite the fact that he likes his Fender bass guitars, he is also a fan of Gibson 6 strings. He has an old Marauder he picked up somewhere that he keeps around. He's always wanted to like Gibson bass guitars but always found himself unimpressed.
Then, he saw the Epi Jack Casady bass and thought maybe there was a low cost way of getting something Gibson-like.
He liked the guitar mostly. He didn't like the electronics, he hated the poly finish (it's a true "dipped in plastic" beauty) and thought it felt cheap...which, it is, so...
Besides, he wants a 5 string anyway. That's where I come in and we came up with what is a solid design, I think. I thought I'd share it with you guys. The six string guys yawn when you start building a bass. Lol.
Ok, our inspiration.
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Now, my "shop" is a workbench in my garage. I have some tools but unfortunately, have nowhere to set them up right now so I end up using a lot of hand tools in my builds. They're quieter, anyway.
But mostly, I have no way of building a laminated top or bent wood sides and that's not exactly what we want anyway. So, we went to work modifying the design.
We took some cues from a hollowbody I made for myself which uses the same basic construction as a Gibson Midtown bass. Like this.
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For those who aren't familiar with the Midtown, it's a solid body that's been heavily chambered except for a center block and topped with a 1/4" flat top.

That's the same way I did this one, though mine is 100% hollow except for one small bridge brace.
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It's a good design. It's big enough so you get the semihollow vibe, it's completely hollow so, despite its sturdy construction, it does sound quite hollow when played. But it handles much easier than a big 335 and doesn't take up half a van to carry it. Oh, and it doesn't few back.

So, we're going to use the Midtown's build style and the JC's shape into a cool 5 string.

The first bits of stuff we've found. I got the maple at a local wood shop and Foo found the ebony on closeout somewhere. It was completely unplaned...straight off a big band saw, it appears. But it's jet black, or as close to it as I've ever seen.

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Truss rod is a standard two way job.

Some pieces and the binding...
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I think it's going to be painted with GM medium blue metallic with the cream binding on top and on the f holes.

The color on a telecaster.
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Thanks.
The plans so far...

Maple neck with ebony board and MOP dots. Hipshot ultralight tuners and a Tusq nut. The headstock will probably be the in-line V shape I used on that white guitar. It's simple and trouble-free. The neck will be glued in place.
Since we are painting, we haven't decided on a body wood yet. Maybe just plain old poplar. Suggestions welcome on that front.
The bridge is down to a choice between a Schaller and a Hipshot. Foo is still debating that one.
Duncan passive soapbars will provide the signal.
 
Right up my alley! Looks like a solid selection of woods, hardware, and electronics so far. I've been wanting to do something very similar myself.

What's your chosen scale length?
 
New wood! Today, we got some Honduran mahogany that we'll use on the body.

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And a surprise! Lacewood.
This is the wide flat sawn side.
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And the edge that we'll see as it's cut for a laminated neck. After this showed up, we decided to put the maple aside.

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Tuners arrived.
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Ok, the shop temps are below "inferno" again and it's time to get back to work.
And some design changes. My brother has decided to go with the more traditional maple neck rather than what amounts to Brazilian oak, so a nice hard maple blank was obtained.
Tonight's business, cutting the headstock break angle.

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Some activity tonight worthy of note.
The back panel of the body is to be 3/8" thick. Just like we split the board for the top, we will split one for the back.
At present, I have no access to a band saw but I've been studying and practicing the technique of doing it with a Japanese pull saw. It requires a different technique but it really rips. I find it easiest to work top down on cuts. Makes it simple to stay true.

This is by far my most ambitious cut with this saw. Wish me luck.
I'm at 25% through at the moment. Fortunately, Honduran mahogany is light and cuts easily. This stock is well cured, it seems. My friend who got it for me retrieved it from the top loft of a mill's warehouse. He said it looked like nobody had been up there for 30 years. No telling when it was cut.
But there's been no gumming up in the teeth at all and that's easy to do with a thin kerf blade.
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Well, that was marginal. I left my boards thick knowing my saw could wander and it did by about 1/8" inside the board.
Apart from that, it's a good split with minimal twisting after the fact. The alignment looks nice on the grain and there were no major surprises inside.

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Not disastrous and certainly fixable but this is a technique that will require some practice, I guess.
Some very nice mahogany, though. It has a little bit of subtle figure to it.
The mineral streaks are annoying but I think my dyes will take care of them.
 
My brother ordered the bridge, so I can get started on making a neck template soon. Time to start getting the blank ready. The headstock will need ears to be wide enough, so I'm adding some blocks to the sides.

image.jpeg


The bridge is a chrome Schaller piece. Looks like it should be a good one.