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For 4 and 5 string bass players.... 6, 7 & more, also invited...

Yes. Keeps me from having to change the tuning of my 4 string. Do you know how annoying it is to play a song tuned in D#G#C#F# and then go back to standard tuning,and then your next song is in CGCF? It's a waste of time when I can jsut go grab my 5 string and transpose the song. No changing tunings. Just unplug,and plug. Sure you could have 4-5 different basses tuned in different tunings,but I don't have the money for that. Plus Low B strings sound amazing,even if you play E instead of playing your open E,it just sounds better.
 
I've owned my 5-string for about 18 years, so I usually expect the low string to be a B if I hit it. I've only recently purchased my new 6-string. I love using chords because they sound very clear. It's also nice to have access to a full 2 octave range within a span of 4 frets.
 
Because one lower is cool. Not so sure on the one higher thing. My jury is still out. :hiding:

I love having the B. It makes many figures I have to play for extended periods, at breakneck speed, much easier on my fretting hand. For instance, a box shuffle in C at a 120 clip used to be deadly. With the low B it becomes a much easier job. I also love having it on the americana/country stuff. There is a reason they invented the hipshot!

Lets say it's a funky tune in E with a James Brown-esque bridge on the 5. You save that big fat B bomb until the last pass through the bridge, the one when the band REALLY means it, and the ladies will need to change their panties.


:bassist: :D ;)



I still own and adore my 4-bangers, but for most gigs I'll never go back.
 
dmibass123,

Why do you want to know? The only question that matters is "Do YOU need to extra low B or high C?" If you don't, then play a regular 4-string in happiness.

I play a 5-string as my primary because I like to have those extra notes available when I want/feel a need to use them. In a lot of modern R&B and smooth Jazz, the styles that my primary band plays in most, there are many occasions where the song we are playing calls for low C/C#/D. However, I have no need/use for a high C, so I don't play a 6. Some guys do want those notes available to them, so they DO play a 6. Other folks have no need for those any of those notes, so they play 4-strings. I have a couple of 4-strings and, when I know I'm not going to need the low B, I will gig with them. It's all about what inspires you to play and what fits your needs as a gigging musician. Many great bassists get it done on a 4-string, but that doesn't mean that we should ALL play them.
 
I love having the B. It makes many figures I have to play for extended periods, at breakneck speed, much easier on my fretting hand. For instance, a box shuffle in C at a 120 clip used to be deadly. With the low B it becomes a much easier job. I also love having it on the americana/country stuff. There is a reason they invented the hipshot!

Lets say it's a funky tune in E with a James Brown-esque bridge on the 5. You save that big fat B bomb until the last pass through the bridge, the one when the band REALLY means it, and the ladies will need to change their panties.

For a 5, that is all there is to say. :D
 
I only have a couple 6's and don't use the high C a lot except for melodic leads where having the lower fret position helps.

The low B on the other hand IMO is indispensable. As long as I've been playing I've always felt the A string B to D range was weak to hold up the bottom end in songs based in those keys. That's not to say I use the low notes their exclusively, but I couldn't imagine not having it available.