This has been discussed, to some extent, but never quite in the way I was hoping to have found via my search, so I hope you don't mind me posting this question as new...
Anyway, obviously with slapping it's a different issue, but when playing finger-style (primarily, anyway), how do you feel about "fret-clank"? Do you try to avoid it at all costs? Do you accept it as part of your technique / style? Somewhere in-between?
I'll go first: with my 2 basses, a dark-sounding Jerzy Drozd and a bright-sounding Status, I actually have 2 different answers. With the dark sounding bass, the clank seems pretty musical, while on the Status it can be pretty annoying. I like playing with really low action, but the Status forces me to play with higher action. Nonetheless, the fret clank usually disappears in a live setting. Thus, when I'm playing with a band I take certain liberties and play with a more comfortable low action. I don't pluck very hard, but if my hands are cold or my adrenaline is pumping hard (for a live show, for example), I notice the fret clank becomes more pronounced.
Let's hear from ya'!
Anyway, obviously with slapping it's a different issue, but when playing finger-style (primarily, anyway), how do you feel about "fret-clank"? Do you try to avoid it at all costs? Do you accept it as part of your technique / style? Somewhere in-between?
I'll go first: with my 2 basses, a dark-sounding Jerzy Drozd and a bright-sounding Status, I actually have 2 different answers. With the dark sounding bass, the clank seems pretty musical, while on the Status it can be pretty annoying. I like playing with really low action, but the Status forces me to play with higher action. Nonetheless, the fret clank usually disappears in a live setting. Thus, when I'm playing with a band I take certain liberties and play with a more comfortable low action. I don't pluck very hard, but if my hands are cold or my adrenaline is pumping hard (for a live show, for example), I notice the fret clank becomes more pronounced.
Let's hear from ya'!

