There are two things required to play a fretless in tune - ears and practice. If lines help you, great. If lines hinder you, great. That's why we have choices.
Nostatic, this is not the place to be reasonable.
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There are two things required to play a fretless in tune - ears and practice. If lines help you, great. If lines hinder you, great. That's why we have choices.
I was watching a video of a Paul McCartney playing and singing “Coming Up” live. He was constantly looking at the neck on a fretted bass. The idea is to get it done. Looking cool is for poseurs.
Finally got the fretless Squier Classic Vibe Fretless. In short, the bass is craptastic.
At the end of the day, I think it is a great sounding bass, and is easy to play, especially considering the price.
I don’t want to derail Doc’s thread, but I highly doubt anyones ability to actually play “spot on”.If you never had a bass with "fret markers" you would still be required to play "in tune" it can be done either way. If you play double bass in an orchestra you absolutly need to be spot on, electric bass string are smaller in diameter making it a bit more of a challenge but it can still be done, I've seen it done. I prefer a blank FB, alot of people like the lines, I never care for that myself. But I dont play in an orchestra either.
Yes, yes, that is some sweet Pedulla tone! The fact that a Pedulla has an almost acoustic growl is intoxicating! As for looking at the neck, do what you need to do. Heck, I look at the neck when I play unlined too.
What was that first song? I feel like I should know it. Thanks for the upload doc!
I don’t want to derail Doc’s thread, but I highly doubt anyones ability to actually play “spot on”.
I have the app/game Tunerval (download it). My ability to recognize 3rds, 5ths, m7ths, even octaves tops out at about 28% of a semitone. (That’s almost a third of the way to the next fret.) And, its much worse on the noisy El train, like 40%.
Im sure there are people much better than me, but I would be surprised if many people can do much better than 15-20%, which is more than the 5% threshold where notes start to beat.
There is a very good reason Leo named it the “Precision” bass. Lol
It's very cold and dry in St. Lou right now, yes?. Are you managing humidity in your space? Us cellists, pianists and acoustic guitarists live this issue everyday. If it's an unfinished (oil doesn't count) fretboard and your place is at 11 percent humidity because the furnace is on all the time, yeah, that FB will shrink.
A $19 dollar Vicks Steamer and a $13 dollar hygrometer* may be a better answer than generic Fender bashing.
Mugre
*being a former cellist, current woodwind and acoustic guitarist, I have had about 8 different hygrometers. I've had the best luck with the Accurite brand from Amazon. Oddly enough, one of the worst was a $60 unit that marketed itself as "scientific grade."
But we are machines. Just machines made of meat! Hmmmm, "Meat Machines" isn't a bad band name.OK, but we are not machines. With a fair amount of practice you can get pretty close, close enough for the human ear anyway. Maybe to Dogs we are horribly out of pitch![]()
I am not a Fender hater by a long shot. I will get the Vick’s Steamer though.![]()
I have a hydrometer next to my piano, and I am totally amazed at how much the humidity actually affects it. At 40% it sounds beautiful, under 35 or over 45... everything all out of whack.It's very cold and dry in St. Lou right now, yes?. Are you managing humidity in your space? Us cellists, pianists and acoustic guitarists live this issue everyday. If it's an unfinished (oil doesn't count) fretboard and your place is at 11 percent humidity because the furnace is on all the time, yeah, that FB will shrink.
A $19 dollar Vicks Steamer and a $13 dollar hygrometer* may be a better answer than generic Fender bashing.
Mugre
*being a former cellist, current woodwind and acoustic guitarist, I have had about 8 different hygrometers. I've had the best luck with the Accurite brand from Amazon. Oddly enough, one of the worst was a $60 unit that marketed itself as "scientific grade."
It is not confusing unless you make it that way. I liked the way this Squier sounded. I don’t like the quality of it’s construction. My Pentabuzz sounds wonderful, but I enjoy a different tone at times.
I have a hydrometer next to my piano, and I am totally amazed at how much the humidity actually affects it. At 40% it sounds beautiful, under 35 or over 45... everything all out of whack.
You misunderstood me.
Or I misunderstood you.
It seemed as if you were dissing the slap tone of Buzz basses, by saying the Squier has "a great slap tone, for a fretless."
Knowing that you have a Pentabuzz, that struck me as an odd statement. I'm thinking you already have a fretless with arguably the best slap tone out there.
Maybe the Squier just has a different kind of slap tone, that hits the target from a alternate angle!![]()
I think you mean "meat bags" at least according to a certain TV robot