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Funk aint nuthin but a feelin, same with the blues
Groove ain’t natural to every person, culture or creed. I think some things need to be learned early in life. I’ve played Latin music on a few records... One even was signed to Sony, but the artist’s wife let me know when I played it wrong... And she was spot on...
But some people get offended and can’t face the reality of not being true funk soldiers.You can fake it to everyone except someone who know. I know that I know when I'm faking it. The difference can be just shy of imperceptible.
Groove ain’t natural to every person, culture or creed. I think some things need to be learned early in life. I’ve played Latin music on a few records... One even was signed to Sony, but the artist’s wife let me know when I played it wrong... And she was spot on...
Oops, I meant Latino...I did music in Latin at school. That's what you mean, isn't it?
Because you'll be eternally asking yourself..."what if... You are an incurable collector. No harm in that!Music stores all over America are already dealing with the aging and death of guitar loving Baby Boomers.
I have two Basses coming in the next few months, but at 59, I have to ask myself, “why keep accumulating basses that my will dang give away soon as I am dead?”
But some people get offended and can’t face reality of not being true funk soldiers.
It depends on how one defines Funk. Eighties Funk was much more synth/drum machine/ midi oriented. In the 1990’s Neo Soul heavily leaned on elements of Funk. Today, even bassists like Thundercat show more Hip Hop than Funk influence.
The Placebo Syndrome......actual Funkiness.
Sir Nose is still trying, except now he’s called Vulfpeck.
Vulfpeck is the future of Funk. Young Black kids are totally into Hip Hop, frankly most White kids are into Hip Hop too. Even country acts are being heavily influenced by Rap these days. Funk is being produced by music school “nerds” like Vulfpeck (I love them, but they do come off as music department nerds.) Of course, musicianship is very healthy in the Black Church, Black Church bassists can certainly get funky, but Gospel is not Funk, funk is just one of many flavors comprising current Urban Gospel. I am not complaining, I was blessed to have grown up during the heyday of Funk, and just like the Big Band and Jump Blues that my parents grew up listening to gave way to R&B, Funk was not going last forever. It is just a sign of my aging that I am seeing what happened to my parent’s music, happen to my music.
Vulfpeck is the future of Funk. Young Black kids are totally into Hip Hop, frankly most White kids are into Hip Hop too. Even country acts are being heavily influenced by Rap these days. Funk is being produced by music school “nerds” like Vulfpeck (I love them, but they do come off as music department nerds.) Of course, musicianship is very healthy in the Black Church, Black Church bassists can certainly get funky, but Gospel is not Funk, funk is just one of many flavors comprising current Urban Gospel. I am not complaining, I was blessed to have grown up during the heyday of Funk, and just like the Big Band and Jump Blues that my parents grew up listening to gave way to R&B, Funk was not going last forever. It is just a sign of my aging that I am seeing what happened to my parent’s music, happen to my music.
Pleasure was a funk band that understood Jazz.Many equate slap bass with funk. For a primer on relative busy bass in a funk environment check out Aaron Mills with Cameo on cuts like "Cameosis". Larry Blackmon is a master in drum placement and just doing what the song needs vs. a barrage of polyrhythmic stuff.
Or Nathaniel Phillips with Pleasure. That's where we though Funk was headed.
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Thank you so much for clarifying, Dr. Cheese.I am not made or disappointed about the decline of Funk’s influence. I am just saying what I see.