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Funk is ending up like the Blues

Groove ain’t natural to every person, culture or creed. I think some things need to be learned early in life. I’ve played Latin music on a few records... One even was signed to Sony, but the artist’s wife let me know when I played it wrong... And she was spot on...

You can fake it to everyone except someone who knows. I know that I know when I'm faking it. The difference can be just shy of imperceptible.
 
Music stores all over America are already dealing with the aging and death of guitar loving Baby Boomers.
I have two Basses coming in the next few months, but at 59, I have to ask myself, “why keep accumulating basses that my will dang give away soon as I am dead?”
Because you'll be eternally asking yourself..."what if... You are an incurable collector. No harm in that!:thumbsup:
 
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But some people get offended and can’t face reality of not being true funk soldiers.

I know. It's the danger of expressing a strong opinion.
:D

I remember growing up and hearing a groove or lick I hadn't heard the day before. I'm lucky enough to have come up when a lot of the "language " was being established. I think that's different than having everything in no time sequence. You got to learn this stuff in small pieces in real time.
 
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It depends on how one defines Funk. Eighties Funk was much more synth/drum machine/ midi oriented. In the 1990’s Neo Soul heavily leaned on elements of Funk. Today, even bassists like Thundercat show more Hip Hop than Funk influence.

My sentiments also. I'm 58, and if you ask me what is funk is, I'll be old school and say Rocco, Bootsey, Larry Graham, etc. Some of the younger cats are phenomenal within their own funk also. It's funny. Before funk was labeled as "funk", it known as "syncopation". Funk sounds better, though.
 
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Hello;
Some of our greatest musicians are getting to a point where they cant do as they used to! I for one am glad to see young players take the Torch of funk and "run with it!"
Lets face it! What I saw was not individual efforts but "group" efforts that take planning as well as execution to pull off!!!!
Bruce
 


Vulfpeck is the future of Funk. Young Black kids are totally into Hip Hop, frankly most White kids are into Hip Hop too. Even country acts are being heavily influenced by Rap these days. Funk is being produced by music school “nerds” like Vulfpeck (I love them, but they do come off as music department nerds.) Of course, musicianship is very healthy in the Black Church, Black Church bassists can certainly get funky, but Gospel is not Funk, funk is just one of many flavors comprising current Urban Gospel. I am not complaining, I was blessed to have grown up during the heyday of Funk, and just like the Big Band and Jump Blues that my parents grew up listening to gave way to R&B, Funk was not going last forever. It is just a sign of my aging that I am seeing what happened to my parent’s music, happen to my music.

Oh, I thought you were going to say it had a bunch of talentless over-weight hacks playing the same old tired patterns at jam night while some poor bassist has to sit there and hold down the I-IV-V through 4 guitar solos per song....
 


Vulfpeck is the future of Funk. Young Black kids are totally into Hip Hop, frankly most White kids are into Hip Hop too. Even country acts are being heavily influenced by Rap these days. Funk is being produced by music school “nerds” like Vulfpeck (I love them, but they do come off as music department nerds.) Of course, musicianship is very healthy in the Black Church, Black Church bassists can certainly get funky, but Gospel is not Funk, funk is just one of many flavors comprising current Urban Gospel. I am not complaining, I was blessed to have grown up during the heyday of Funk, and just like the Big Band and Jump Blues that my parents grew up listening to gave way to R&B, Funk was not going last forever. It is just a sign of my aging that I am seeing what happened to my parent’s music, happen to my music.


Times change. You mention church music as a bastion of culture. Much like you complain about the changing face of funk, I am sure at one point in time (and even now) that some crotchety old white man complained about the changing face of gospel music. I think it is best not to dwell on the past although I do enjoy a good drink of nostalgia tea myself.
 
Many equate slap bass with funk. For a primer on relative busy bass in a funk environment check out Aaron Mills with Cameo on cuts like "Cameosis". Larry Blackmon is a master in drum placement and just doing what the song needs vs. a barrage of polyrhythmic stuff.

Or Nathaniel Phillips with Pleasure. That's where we though Funk was headed.
;)
Pleasure was a funk band that understood Jazz.
 
I "hear" what the original intent of the thread is addressing. I discovered Led Zeppelin as a kid, maybe 8th grade, and from them searched for the origins of what they were all about, fell onto Canned Heat and from them John Lee Hooker, and that changed my life forever. Nothing against where L.Z. went after the first album, as they were constantly exploring new influences and ideas, but it lost the deep influence of the blues of the first album, and others used later L.Z. to take their own styles even further, which was ultimately further away from the blues roots of the first L.Z. album. Now I teach at a community college and most of my students not only have no idea of what blues music even is, but they have no idea of who Led Zeppelin are. In fact many only listen to "processed" music which to me is like eating veleeta and saying you love fine cheese or having ramen noodles for dinner instead of going to a local Chinese restaurant that makes their own noodles daily and not knowing the difference. There is a definite
culture shift going on.

I have also witnessed the same change in music throughout other stylistic developments. I love "classic" soul music, but I have witnessed the same type of progression from 50's RnB to Motown to Funk to today's processed sounds, and many of my students have no clue as to who Hank Ballard, Jackie Wilson, Four Tops, Funkadelic or Earth, Wind and Fire are.

I teach art classes, my area of specialty is clay, but the same synthesis is going on here too. To many of the students that I have in classes, if it isn't part of what they see on TV, their computer or their smartphones, they don't understand it's value, or see a use for it. It is the same culture shift, and it is to the point that even administrators and the academic policy makers have bought into it. (Tell me a student doesn't learn more about music from learning to play an instrument then they would in a music appreciation class or more about art in learning to draw, paint or throw a pot then they would in an art appreciation class, and I will show you someone what buys into processed music or art.) Do you realize that in many states, studio art and music, theatre and dance performance classes NO LONGER count towards Humanities credit, even within a Liberal Arts curriculum?

Put musical instruments and/or art supplies into the hands of kids, and keep positive reinforcement going in their direction! When you do that, the human touch remains, as well as the need to explore the roots of the arts and humanities.

Sorry for being winded, but as a Faculty Chair over Art, Music, Theatre and Dance at my school, I live these thoughts and concerns on a daily basis.
 
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I am not made or disappointed about the decline of Funk’s influence. I am just saying what I see.
Thank you so much for clarifying, Dr. Cheese.

It's becoming tougher and tougher to simply make a statement or give an opinion, especially about change, without folks automatically thinking you're upset or going on a rose-colored-glasses, stuck-in-my-own-world, get-off-my lawn, old-man rant.

Merely mentioning change does not mean you refuse to accept it.
 

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