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Future Impact now available!! WAS: deep impact reissue!!! interested?

Your request for a CV made me think of one of the biggest things that make bass pedals never actually sound just like synths: Pitch-tracked VCF. A CV out would do this (hooked up to a VCF), but could the pedal not just do that itself? A tracked filter would make a world of difference and take it to a whole other level.
The FI’s filters already have a pitch tracking setting. Have you used the editor?
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Hi all,
2. We cannot change the housing in this time frame, so potentiometers, dial, display and connectors must remain as it is now. I understand that USB would be very desirable, but for many points of view it is out of question at this point (e.g. connectors must be at the back side of the box, and there is absolutely no space there for USB).

4. You have to remember that we had to stop software development because the processor's program memory is full. I am thinking about solutions to resolve this situation, but in the moment only minimal software changes would be possible.

Andras Szalay

-In regards to #2, can you guys consider the detented potentiometer for the parameter knob this time? I think it would really benefit the overall user experience to have one.

-I hope #4 allows for this. All the parameters can be adjusted with the Edit Knob, however, the Data Dial Number only goes from 1 to 9 (9 steps). Could it be possible to add one more step so it goes from 0 to 9 (10 steps) so you can have a little more control over the parameters?

-Also if stereo capability is achieved, it would be great to be able to manually bypass the pitch detection, so you can use the synth independently (with MIDI sequencing for example) and have them both (synth and clean bass) coming out of the FI instead of having to split the signal prior to the FI’s input. Something like the Spilt Mode without muting the clean bass signal.


@Andras Szalay two other things:

Not sure I’d this is a hardware limitation, if so, this would be a good time to redesign this aspect - have note-on level and note-off level control be a per-preset setting as opposed to only global. (An optional global override of the per-preset setting would still be a good idea too.).

-This is a MUST! Some presets would really benefit from having a different note-on note-off level. I think I've suggested this one a long time ago, so I'm really glad you are suggesting it as well!
 
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the Data Dial Number only goes from 1 to 9 (9 steps). Could it be possible to add one more step so it goes from 0 to 9 (10 steps) so you can have a little more control over the parameters?
I actually came up with an interface implementation ages ago that would allow full 0-127 value access to the top-level parameters. Code space and rewrite work time hampered that. I’m hoping it can be done in the future if there’s ever a revision that users a processor with more memory.
 
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This has been on my list of suggestions since 2019.

I arrived the party early :)

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I actually came up with an interface implementation ages ago that would allow full 0-127 value access to the top-level parameters. Code space and rewrite work time hampered that. I’m hoping it can be done in the future if there’s ever a revision that users a processor with more memory.

That sounds way better, I suppose you wanted to use the 3 numbers on the LED to show the values from 0 to 127? Balance and many other parameters would be more useful.
 
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That sounds way better, I suppose you wanted to use the 3 numbers on the LED to show the values from 0 to 127? Balance and many other parameters would be more useful.
Correct. I thought of a good way that would not interfere with the patch number display too.

I arrived the party early
Nice. I didn’t discover the pedal until later. Actually, when I first tried it, I didn’t take to it. Wasn’t until December 2018 that I bought one and the rest, as they say, is history.
 
-In regards to #2, can you guys consider the detented potentiometer for the parameter knob this time? I think it would really benefit the overall user experience to have one.

To have a detent potentiometer with 11 detents was always what we wanted, but never could get. Most manufacturers build 11 position detent potentiometers only on special request, which requires an MOQ (minimum order quantity) that we could never fulfill. Good news: I got a sample in my hands in the last days, looks perfect, has 11 solid detent positions, and we do not have to buy a quantity that we could not afford. All three potentiometers will be very solid, metal shaft ones!

To extend the edit scale from 1...5...9 to 0...5...9 would not mean significant difference, and it would make the adjustment range asymmetric, with 5 steps in negative direction and 4 steps positive; not nice.

Andras Szalay
 
I have a new cover band project going and the Future Impact is a big part of the tunes we're doing. So much good stuff.

I thought, hey I should look and see if anyone is sharing presets. So I found Future Impact Program Database – Share your FI Programs around the World! and must have registered years ago when I bought the FI. Anyway, It looks as though my IP has been blocked now that I've reset my password. The site just says to contact the site admin. Of which there is none to be found listed anywhere on the site.

Anyone have an email for that site so I can free up my IP so I can sign in and try some of those sweet presets???
 
I have a new cover band project going and the Future Impact is a big part of the tunes we're doing. So much good stuff.

I thought, hey I should look and see if anyone is sharing presets. So I found Future Impact Program Database – Share your FI Programs around the World! and must have registered years ago when I bought the FI. Anyway, It looks as though my IP has been blocked now that I've reset my password. The site just says to contact the site admin. Of which there is none to be found listed anywhere on the site.

Anyone have an email for that site so I can free up my IP so I can sign in and try some of those sweet presets???
@Andras Szalay
 
I have a new cover band project going and the Future Impact is a big part of the tunes we're doing. So much good stuff.

I thought, hey I should look and see if anyone is sharing presets. So I found Future Impact Program Database – Share your FI Programs around the World! and must have registered years ago when I bought the FI. Anyway, It looks as though my IP has been blocked now that I've reset my password. The site just says to contact the site admin. Of which there is none to be found listed anywhere on the site.

Anyone have an email for that site so I can free up my IP so I can sign in and try some of those sweet presets???
Email panda support.
 
I have a new cover band project going and the Future Impact is a big part of the tunes we're doing. So much good stuff.

I thought, hey I should look and see if anyone is sharing presets. So I found Future Impact Program Database – Share your FI Programs around the World! and must have registered years ago when I bought the FI. Anyway, It looks as though my IP has been blocked now that I've reset my password. The site just says to contact the site admin. Of which there is none to be found listed anywhere on the site.

Anyone have an email for that site so I can free up my IP so I can sign in and try some of those sweet presets???

I forwarded your problem to my colleague who is responsible for the site.

Andras Szalay
 
Ahh I remember those days as well. The days of the infamous "LIST"! hahahaha! At that time I couldn't wait for this pedal to be made since my Deep impact died on me. It was definitely worth the wait.
Of all the lists I've ever made, this was definitely one of them.
 
Your request for a CV made me think of one of the biggest things that make bass pedals never actually sound just like synths: Pitch-tracked VCF. A CV out would do this (hooked up to a VCF), but could the pedal not just do that itself? A tracked filter would make a world of difference and take it to a whole other level.
I'm kind of new to the FI, but coming off of what I've read above (IIUC) I'd say that if the internal digi-VCF is not pitch tracked, it's because of the FI's unique note triggering system. In other words, if upon note input event, the FI first immediately starts a note on with its envelopes and using the previous pitch, then switches to the correct pitch an instant later when it resolves the new pitch (or more than an instant for lower notes), this strategy depends on the initial pitch glitch being nearly not bothersome because it is too short to be noticed, and because it is partially obscured by the actions of the VCFs and VCAs. If, however, the filter cutoff also suddenly jumped a bit after note on along with the pitch, that would make the glitch more perceivable/bothersome. Especially of there's resonance on the filter.
 
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