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G&L L2000 & L2500 question

Do you prefer using the passive or active switch on your G&L L2000 or L2500?

I'm trying to figure out which I like better. I've been using active on my L2500 for over 5 years now because it's been more beefier than passive mode. But I noticed a lot of people prefer passive mode on them.
 
85% Passive on my two. One has rounds and the other flats. Passive just has a bigger-ish sound. Occasionally I'll go active, but it's generally for quick volume or just for a change. Active is fun, but I could live with no batteries just fine.
 
I always ran my L2K passive and in fact for most of its life it didn't even have a battery in it. That turned the active/passive switch into a poor-man's mute switch, which I used absolutely all the time.

Mine was an older L2K and the preamp was pretty bad - the MFD's had so much power and output that they'd harshly overdrive the preamp on hard plucks, giving a really nasty ratty noise if I really dug in. So I took the batt out and just kept it in passive mode. But even without that it had a really brittle sharp kind of treble that was a lot softer in passive. So I never had a use for its sound anyway.

I'll eventually get another L2K and even if the preamp is better now, I'll probably still run it passive all the time.

L
 
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It all depends on the gain staging. If I'm going into an amp with no gain control, I may flip it to active to drive the pre-amp a bit harder (if needed). Other than that, I always start in passive and only switch to active if I need more gain.

If you try both, and adjust for the gain difference on your amp, there really is not that much difference in tonality.

I often wonder how many people on these forums give up on certain basses that they try, simply because they really didn't understand gain staging.
 
I always ran my L2K passive and in fact for most of its life it didn't even have a battery in it. That turned the active/passive switch into a poor-man's mute switch, which I used absolutely all the time.

Mine was an older L2K and the preamp was pretty bad - the MFD's had so much power and output that they'd harshly overdrive the preamp on hard plucks, giving a really nasty ratty noise if I really dug in. So I took the batt out and just kept it in passive mode. But even without that it had a really brittle sharp kind of treble that was a lot softer in passive. So I never had a use for its sound anyway.

I'll eventually get another L2K and even if the preamp is better now, I'll probably still run it passive all the time.

L
My fix for that was to drop the pups to the floor and it still gets a bit hot to handle! :D
 
I have two(2) G&L 2500 one is fretless I have never used active settings.
To that end I have modified both of my 2500s to full coil tapping by installing On/On/On switches in the bridge and center spots. This way one could rerun them to stock easier.
For any G&L people out here who would like to do the same
PM me as I have all the wiring diagrams for all of the choices of how the MFD pickups can be wired.
Duke
 
My fix for that was to drop the pups to the floor and it still gets a bit hot to handle! :D

That definitely helps; I used the rear pickup face as a "ramp", so I couldn't drop it all the way down, but the neck pickup I took out the foam underneath and screwed it all the way down till it was hard against the body. It was like 1/2" below the strings after that. I did that mostly to stop the "chorusing" effect of the super strong magnets, but a unexpected side benefit was the neck pickup gave a nearly perfect Precision bass imitation. It dropped the output but it also changed the tone into that milk-chocolatey P bass pickup sound. Especially in parallel mode it was the splitting image of a Fender Precision, soloing the neck pickup in passive mode.....

I thought that was kind of cool.

But anyway, like I said that bass was a '99 or '00 model, so it was pretty old. The newer preamps may be better...

L
 
When my L2K still had frets, I preferred passive and never used the treble boost function. After pulling it's teeth, the pre-amp switch is in the middle position most of the time and occasionally gets bumped either way for certain tunes and/or moods.
I assume this is because a fretless inherently has less zing but maybe my tastes just changed.
 
I have a 1996 L2500 with the original v1.0 preamp. I’ve been using it Passive mostly. The preamp in mine adds a bit of gain, and a little hiss in Treble Boost mode.
As far as I know, the current v1.3 preamps have only minor changes like relocating resistors from one of the switches onto the PCB, and an updated, more efficient (battery life) chip. I don’t think any perceptible tonal changes have occurred in the updates.
I have been thinking about getting the whole new preamp harness with updates module from G&L...or maybe just replace the chip on mine...
 
I modded mine to have about half the treble boost in the first active position and I use it most of the time. I like the bit of zing it gives even when you turn the treble pot down a bit, the preamp seems to boost higher frequencies than the treble pot cuts. I almost never run the volume past 2/3, it is just too hot them.