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Geddy Lee flamenco style?

I've recently heard people mention that Geddy Lee sometimes employs a "flamenco" style by using his fingernails.

Does anyone know in which Rush songs he employs this technique? I have all of their studio albums, and I'm still not sure when and where this style occurs in their work. I'm curious to know exactly what this technique sounds like.

Anyone know?
 
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Wow, not a lot of helpful responses.
If you want to hear the flamenco style, listen to any Rush material from 1993-Present Day (AKA Counterparts-Snakes&Arrows). It is especially helpful to watch the wizards' live DVDs. You can also hear it employed in Ged's solo album, My Favorite Headache.
Hope this helps, once you learn this technique it really opens up rythmic background that can be good enough to make having a drummer obsolete for many parts of a song. It's also great for fast riffs like others here have said.
(Best songs to here this on are Animate, One Little Victory, and Far Cry.)[Ps. the live stuff is usually way crazier than the studio material so get it if you can.)
 
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In R30 video , in one of the interviews, Geddy Lee mention that he just started to masterized the flamenco technique , I think he mentioned that in an interview dated from 2002, so probably you can find a song whit this technique in either the vapor trails or snakes & arrows.
 
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Specific examples:

From Counterparts: "Animate", "Alien Shore", "Double Agent",

From Test for Echo: "Driven", "Totem", "Dog Years", "Virtuality", "Limbo"

From Vapor Trails: "Ghost Rider", "Freeze", "Out of the Cradle", "Secret Touch"

From Snakes & Arrows: "Armor & Sword" (the long bass slide right before the guitar solo).

There may be more... these are the songs that stand out immediately. There was less flamenco on S&A than on the previous three albums.

My heavily Rush-influenced formative years caused me too add this technique to my repertoire. Sometimes I call it "rapidflap", b/c I use it to play long passages of fast 16ths. You have to practice, practice, practice to get the intonation consistent, otherwise your downflaps will sound different than your upflaps. Also, transitioning between flamenco and regular fingerstyle can be tricky until you get used to it.

Good luck!