I'm pretty sure the inlays are real on mine.
You must have one of the older ones before they switched.
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I'm pretty sure the inlays are real on mine.
Me thinks one reason Geddy Lee gets a decent to awesome sound from the GL basses is the way he plays them -- i.e. very strong ripping of the strings. Plus round wound strings constantly changed (Rotosound.)
Plus he sounds like himself no matter which bass he plays. The tone might be slightly different, but you know it's him.
Dimarzio Model J + 500k pots = the cure for weak Geddy Pickups!
EagleMoon said:I don't know why people care if the inlays are real or painted on. Personally I'd rather have painted ones since it doesn't cut wood out of the neck. Especially on a neck that's thin to start with.
I don't know why people care if the inlays are real or painted on. Personally I'd rather have painted ones since it doesn't cut wood out of the neck. Especially on a neck that's thin to start with.
Perhaps when you pay almost a grand for a new one, you'd expect them to be real? They're real on the Jaguar and it's in the same price point.
The original GLs had inlaid blocks. Then they switched to painted-on blocks. But, I believe somewhere around 2 years ago (about the same time the 3TSB model came out), they went back to actual inlaid blocks.
Just FYI.
I had one for a few months. I like the neck, but never could bond with the sound. It's now long gone.
ksandvik said:I think neck adjustments has to do with where the bass is used. Here in California I doubt much neck adjustments are needed, compared with a more humid and changing environment. It's a piece of wood, after all. Having to remove the pickguard is just stupid even if the intent was to mimic the pawn shop Fender Geddy loved.