- Oct 22, 2015
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Oh my, completely forgot about Martin! It's more than a half a lifetime ago ... 

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I still have 3 of the 4. The very old bari was replaced after it started falling apart. It was built in the early 1900's.Oh my, completely forgot about Martin! It's more than a half a lifetime ago ...![]()
Bari is truly fun to play. I used the school's baritone until the teachers switched me back to my student tenor. Competing for your chair was part of the grind. Suppose it always is, in a way.
Student instruments are hard to get rid of.

Like your post, don't like the trend.There used to be a music store nearby that specialized in brass and classical instruments. They also catered to schools until music programs in public schools died. I used to go in there and marvel at the array of instruments and the quality. They had a service shop that was always busy. It was an old business that looked like nothing changed in decades.
Alas, one day they were gone. Along with the shoemaker that made custom shoes and boots and the typewriter store next door. There were three violin makers, only one is left. The old man that crafted the instruments has long died, the kids run the business but only broker sales and import high end from distant lands.
"You can't go home again." It isn't there any more.There's a local luthier who builds acoustic guitars. He kept a small shop between a coffee roaster and a silversmith. He did set up my 'Ray a few years back when she came out of hibernation, and have played a few numbers on stage with him. "Got a gig?" he asks most recently. Gonna be out of it for a while with foot surgery ...
Noticed around January his shop was empty and up for rent. Then saw Tuesday he moved to a much larger location in / near a light industrial zone. His new digs have to be hella cheap now. It's not that he depends on foot traffic.
The typewriter shop became a photocopy repair and sales shop that became a bring-your-own-spelling tattoo parlor. They probably sell CBD stuff too, just like the places that sell lottery tickets. A skeevy tavern that was an oasis for the factory workers across the street is now a MM shop.
Update: I took the Junior Jet to my rehearsal last night with the blues band. The BL is also a bass player and he has a MarkBass rig there, so I got to hear how it sounded through something with a completely different voice. It sounded good, though it's still very deep and dark compared to my Fender. I would like to say that I'm in love with it, but I'm not quite there yet. It's fine for doing what I bought it for, but it isn't going to replace my full scale basses. I can't pull as much out of it as I can the Fender. Maybe that will change with a good setup and a new set of pickups.
The weirdest thing, though, is that I started feeling very cramped through my shoulders and upper arms after about 20 minutes with it. Remember that I played it the previous night for about two hours, too. I guess I am used to having my arms in wider positions when I play. I was sitting both nights, so maybe standing would alleviate some of that. But overall, I'm still really happy with it!
I normally play a non-reverse, skinny neck Thunderbird; slung fairly low with my fazaza propped on the edge of a stool to minimize knee pain. On a couple of recent gigs, one standing, I used my Squier SS Jag. I'm very aware of the difference in neck profile and the height I wear the axe. The Jag feels weird slung nearly as low as the 'Bird. And my left hand doesn't like 7ender/Squier necks.Update: I took the Junior Jet to my rehearsal last night with the blues band. The BL is also a bass player and he has a MarkBass rig there, so I got to hear how it sounded through something with a completely different voice. It sounded good, though it's still very deep and dark compared to my Fender. I would like to say that I'm in love with it, but I'm not quite there yet. It's fine for doing what I bought it for, but it isn't going to replace my full scale basses. I can't pull as much out of it as I can the Fender. Maybe that will change with a good setup and a new set of pickups.
The weirdest thing, though, is that I started feeling very cramped through my shoulders and upper arms after about 20 minutes with it. Remember that I played it the previous night for about two hours, too. I guess I am used to having my arms in wider positions when I play. I was sitting both nights, so maybe standing would alleviate some of that. But overall, I'm still really happy with it!

.....Our saxes(alto, tenor, and bari-much later added a "C" melody)were Martins. Take those over Selmers every day and twice on gig days.
Tried one....Really nice tone....very light....slim neck....(Too slim for me...I too am beginning to feel the wisps of irritation through my shoulders to knees. I switched to Ibanez a long time ago because I liked the aggressive tone and small body and lightweight profile. Here is a generic pic of my SR500L. It serves me well and has Bartolini pickups and sounds very nice. I can get a bluesy mellow to aggressive mid growl using the 3 band electronics.
One thing that I forgot to mention is that because of the big top horn and extreme body shape the neck pulls very close into your body so you don't suffer fatigue reaching for the low notes. Really a smart, clever and modern design.
View attachment 3731389
Ibanez has a newish model out that's a hollowbody. I understand it's a tad under 6 pounds. Might be worth looking into.
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One of these days I'll post a clip
with a bit more self-confidence