I'm starting a Soul/Funk cover band as a side project from my main band. I'm so used to playing psyc/prog rock I'm having a hard time coaxing a good soul tone out of my gear. I use a MIA Jazz (not sure of year but fairly new) and an SVT-CL. I've tried some different EQ settings and turning the tone way down on my bass with some alright results, but I was wondering if there is anyone who plays this style regularly that has some pointers. Edit: This is just a fun side project with some gigs here and there. I'm not looking to buy anything to get the tone. Maybe a pedal or two, but that's it. Getting a good funk tone isn't an issue, I play with a pretty aggressive tone in my other band anyways.
I've found playing less aggressive helps, but there's still a bit of warmth missing. Basically I'm looking for a Jamerson-esque tone without a P and not very old strings.
In leiu of using flats, I've found that I need to roll off the mids sometimes <0 on my active Jazzes, though I not a big fan of "scooped" sound, it hits the pre a bit easier giving a big-headroom smooth sound. Palm-muting (or physically muting) the strings helps bring out "that sound" But the main thing I do to go into pure Motown mode is I switch to using my thumb, which is also easier when I'm palm muting. I think that wide attach area, played away from the bridge, with a bit of palm muting, and a tube amp, gets me right to "Just My Imagination". For faster bits, I still use my fingers from the same position, but with the muting (and the tubes, I believe), I get this really nice punch when I do that really defines the note while preserving the buttery sound.
Thanks a lot for these suggestions. I'll try the foam trick and turning the tone knob down. I still have to find someone who can actually sing this stuff though. That might be tough.
Flats is the first step. I played in many soul band with a P bass and LaBella flats -- very heavy flats. Ran the bass wide open tone & volume. With a JAzz, I might roll back the treble a bit and maybe even roll back the bridge PUP if you can do so without adding noise.
Flats + flat EQ (maybe a little bass bump). Micro-tweezed tones did not exist back then; do not over-think. But since most of the tone is from your hands, if they say "psych-prog rock", then that's what you'll sound like.
1 - Use flats. 2 - Get a bridge cover and put some felt or sponge under it to partially mute the strings. 3 - Roll off 60-90% of the treble. 4 - Pluck or pick--I think you can do both--up near the end of the fretboard. 5 - Experiment carefully with the EQ on your preamp/head. 6 - If you decide to spend more money on this project someday, get a pair of Acme Low B-2 cabinets or a Bergantino NV 215 or NV412. Bluesy Soul
Nobody said turn down the volumes on the bass? OK, turn down the volumes on the bass, to halfway or a little more. That will fatten it up, a lot.
I don't think I'll be putting flats on the Jazz. I'll throw some on my Ibanez though. I can't really mess with the tone that much on the Jazz because of my main band. I can't seem to find flats anywhere in Guelph (Ontario) other than D'Addario Chrome Flatwound. Are they any good? I'll try the amp suggestions and the foam idea though.