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Drummers are usually the ones most ghosted on recordings.
I would say that pro-tools and the like have definitely changed the game as far as studio drumming goes,so many producers insist on replacing drum sounds and locking performances to a grid on all the tracks they do.Bass-wise it can be easy to grab 2 or4 good bars and cut and paste them on a track.I have producers who have me come in and play 4-8 bars of a song and a bunch of fills and they cut everything together. I generally don't like that way of working but their paying so there you goRather than ghosting, most of his stuff was just pushed around in pro tools. I wonder how much new recording technology has put an end to ghosting?
There's the Pink Floyd bass "situation".