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Ghs precision scale length

if I want to string my fender vintera precision with ghs precision flats,55-105,do I have to use the ones that are 38 inches long?won't the E string be wrapping round the tuning post beyond the silk?also,how do they feel,stiffness wise,to Fender 9050m's or labella jamersons?I'm giving up on the jamersons because of a buzzing d string issue on two different sets,and I've used the Fenders and would like a comparison.
Thanks
 
if I want to string my fender vintera precision with ghs precision flats,55-105,do I have to use the ones that are 38 inches long?won't the E string be wrapping round the tuning post beyond the silk?
GHS Precision Flats are designed in a way the full winding on the E can wrap around the tuner post with no issues as long as it's Fender-sized.

GHS P Flat E Wrap.jpg
 
Pay attention to the “wind” length which GHS are good at labeling.

WHAT IS BASS STRING WINDING LENGTH, AND WHY SHOULD I CARE?​

The winding length is the distance from the ball end of the string to either the beginning of the silked end, or to where the string starts to taper at the tuning end.

Winding length is actually VERY important! Nowadays, it is common to see basses with different scale lengths, and new and creative bridges, thru-body stringing, or fanned frets, etc.. Knowing the winding length of your instrument is imperative to ensure you get the proper string for your bass, and is more important than scale length. For example: the Hofner Violin Bass is a 30" scale bass, but with the bridge, it actually requires a set of strings with at least a 34" winding length, which depending on the string brand, is considered medium scale.

To find the winding length for your instrument, measure from the ball end of the bridge to just past the nut (ideally, between the nut and the closest tuning peg to the nut). Any string with a winding length that falls within that measurement will work well. Too short and you risk having the silked/tapered end over the nut and into the first fret; too long and the "meat" of the string will wrap around the tuner, which can compromise the string. For your information, here are the winding lengths of all GHS strings.

  • Short Scale = 32" Winding Length
  • Medium Scale = 34.5" Winding Length
  • Standard Long Scale = 36.5" Winding Length
  • Universal Long Scale = 37.25" Winding Length
  • Long Scale Plus / Extra Long Scale = 38" Winding Length
 
For your information, here are the winding lengths of all GHS strings.

  • Short Scale = 32" Winding Length
  • Medium Scale = 34.5" Winding Length
  • Standard Long Scale = 36.5" Winding Length
  • Universal Long Scale = 37.25" Winding Length
  • Long Scale Plus / Extra Long Scale = 38" Winding Length
The above info is outdated.

GHS "short scale" = 32.75" winding length.
GHS "medium scale" = 35.5" winding length.
GHS "standard long scale" = 36.5" winding length = limited to a few low B strings.
GHS "universal long scale" = 37.25" winding length = most current "long scale" sets.
GHS "long scale plus" = 38" winding length = Super Steels, Brite Flats and Precision Flats.
 
Let us all repeat the mantra:
1) measure from the ball anchor to the tuner side of the nut;
2) measure from the ball anchor to the middle of the lowest string tuner post
3) purchase a set of strings that the winding/speaking length is between these two measurements.
@michael_t posted the new GHS measurements so you can purchase the correct set of strings.
 
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Thanks for replies,good to know there are no issues.any thoughts on how they feel compared to the jamersons and fender 9050m?I play a lot of ska,reggae,blues and 60s soul.as the jamersons are out,which would you use out of ghs or fenders?my credit cards waiting to buy!!
 
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any thoughts on how they feel compared to the jamersons and fender 9050m?I play a lot of ska,reggae,blues and 60s soul.as the jamersons are out,which would you use out of ghs or fenders?
I would say the GHS 55-105 and the Fender 55-105 are fairly close in terms of overall stiffness/flexibility, neither of which is as stiff as the Jamerson's.

The biggest difference between the two is tonal character. GHS = old school with woody warmth, Fender = semi-modern with a stronger midrange and a hint of grind.
 
I would say the GHS 55-105 and the Fender 55-105 are fairly close in terms of overall stiffness/flexibility, neither of which is as stiff as the Jamerson's.

The biggest difference between the two is tonal character. GHS = old school with woody warmth, Fender = semi-modern with a stronger midrange and a hint of grind.
With due respect, I would characterize the GHS flats as even more chocolate luscious rather than woody warmth. But all players' ears are different, so I understand the characterization, especially when they are newer. And yes, the current Fender flats are a little grindy, which I like.
 
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Thanks for replies,good to know there are no issues.any thoughts on how they feel compared to the jamersons and fender 9050m?I play a lot of ska,reggae,blues and 60s soul.as the jamersons are out,which would you use out of ghs or fenders?my credit cards waiting to buy!!
I'd go with the light guage GHS or as iiipopes said, the 760FL.

If you were playing a Jazz Bass, I would've said the Fender 9050s hands down as they sound great on Jazzes but personally, I've never liked them much on a Precision.