• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

GHS Restring Poll

Which GHS Stringset?

  • GHS Roundcore Bass Boomers

  • GHS Balanced Nickels

  • GHS Brite Flats


Results are only viewable after voting.
I voted for the round core boomers and I would use the medium light set which is 45-65-80-100 at 172.1 lbs.
Now if they only made a set with 45-60-80-105...that would be nicely balanced tension wise!
If I were to use the balanced nickels,I like the medium set 44-60-80-106 at 184 lbs.
On second thought maybe the nickels...I like the string gauges better!
See? It's not as easy as you might think! There's no looser as both sets are clear winners each in their own way. You can't make a wrong choice. I could play eanie meanie minie moe … hmmmm
 
It sounds like you should try Ernie Ball Slinky Flatwound Cobalts. They'll do exactly what you want. The lower tension is nice, even thought I like high tension, and they feel balanced in 100's.

If it has to be GHS, just go full roundwound tone with Super Steels. Steel strings are way underrated, and not in fashion right now. If they sound to glassy to you, it will wear off in few days. Just roll the tone off a bit. They have better midrange growl, and consistent low end. I think they sound better much longer than nickels. They corrode more quickly and lose high end, but the rest of the range stays intact, which is most important. Nickel strings have a very short window for their tonal sweet spot, then they go down hill fast.
 
I was expecting something closer to flats. Instead they were zingy and bright, and sort of scooped sounding. Not my cup of tea.

If you expect a flatwound tone and feel from PWs, of course you're disappointed. The Brite Flats would be much closer to flats both in tone and feel than PWs.

Now that I've been spoiled by the tone and feel of the Precision Flats on my P, it will take me some time for re-adjusting when I put the PWs back on it.
 
  • Like
Reactions: bhendrix
I need to restring my 2012 Fender American Standard Jazz Bass with stock Custom Shop pickups. No, I don't want to put on another set of Pressurewounds, or hex core Bass Boomers. I had thought roundcore Bass Boomers (which I love on this bass) would be the set of choice especially now that they are being manufactured with the same construction techniques as Balanced Nickels.

Balanced Nickels are my stringset of choice for my 2017 Fender American Professional Precision. Love the dark smooth tonality. Blessedly clankless. Never thought I would consider a set for my jazz, but now I am.

For the shocker: Brite Flats. I never even considered them before I recently learned that Leo Fender had ordered ground wound strings from GHS for his brand new invention, the Music Man Stingray. Not sure who invented these. Leo Fender? Someone at GHS? D'Addario? Don't know. I do know I tried a set of D'Addario Half Rounds around 1980 or so, and hated them. That was then, and this is now. Brite Flats are different, and so am I.
Might you be overthinking the whole thing just a tadd?
 
I love brite flats, but I’m not going to recommend them.

Right out of the box they feel really funny, and they don’t really sound their best.

Put 100 hours of playing time into them, and I never want to take them off, but yeah.... stick with the nickels
 
  • Like
Reactions: trothwell
I need to restring my 2012 Fender American Standard Jazz Bass with stock Custom Shop pickups. No, I don't want to put on another set of Pressurewounds, or hex core Bass Boomers. I had thought roundcore Bass Boomers (which I love on this bass) would be the set of choice especially now that they are being manufactured with the same construction techniques as Balanced Nickels.

Balanced Nickels are my stringset of choice for my 2017 Fender American Professional Precision. Love the dark smooth tonality. Blessedly clankless. Never thought I would consider a set for my jazz, but now I am.

For the shocker: Brite Flats. I never even considered them before I recently learned that Leo Fender had ordered ground wound strings from GHS for his brand new invention, the Music Man Stingray. Not sure who invented these. Leo Fender? Someone at GHS? D'Addario? Don't know. I do know I tried a set of D'Addario Half Rounds around 1980 or so, and hated them. That was then, and this is now. Brite Flats are different, and so am I.
Contact core super steels
 
Right out of the box they feel really funny, and they don’t really sound their best.

Put 100 hours of playing time into them, and I never want to take them off...

"Funny" as in sticky - something that took me off guard when I put them on my J for the first time last summer, especially after spending a couple of months with the Precision Flats on my P. They did feel a lot smoother by the third week, though.

I realize I gave up on them way too soon the first time (3 wks/10 hrs), so I'm willing to give them a little more time to settle this time around.
 
  • Like
Reactions: trothwell
All Righty Then! 'The Sound of Pumpernickel' it is! I decided to go with the light GHS 4L-NB set for my American Standard jazz. I want the more mellow sound of Balanced Nickels. Not a fan of light gauge strings, but went with them anyway for the shallow & narrow jazz neck. Ordered a set 4M-NB for my American Professional Precision. They don't need to be changed yet, but they're on a good sale from JustStrings with a single reasonable shipping charge. Last but not least a set of custom gauge CM3050 Precision Flats for my '76 Precision. If I don't keep Precision Flats on that bass @nerkoids will have a total meltdown. Thanks one & all that participated in good faith. Your votes and comments were well appreciated.
:cool: Fender & GHS Forever! :cool:
 
  • Like
Reactions: michael_t