Staring closely at Gibson's "Bullion Gold" finish, especially as it appears on the 50th anniversary Thunderbird...
It looks like it's a slightly darker than "goldtop" metallic gold, sprayed over a well-sanded but unsealed/unfilled mahogany so the grain 'pits' show through, then over-sprayed with a thicker high-polish gloss clear.
Example from an original:
Can it really be that simple?
Anyone have any insights to the process used?
I'm looking to hit a very similar finish note on parts of a bass build.
Opportunities to experiment are limited - only one underway and no spare mahogany to mess with!
It looks like it's a slightly darker than "goldtop" metallic gold, sprayed over a well-sanded but unsealed/unfilled mahogany so the grain 'pits' show through, then over-sprayed with a thicker high-polish gloss clear.
Example from an original:
Can it really be that simple?
Anyone have any insights to the process used?
I'm looking to hit a very similar finish note on parts of a bass build.
Opportunities to experiment are limited - only one underway and no spare mahogany to mess with!