An SPB-3 and some Rotosound 66 steel rounds was plenty gnarly for me.
@playsthespace
Stainless steel strings is actually a good suggestion. May not even need to replace the pickups.
I really like Dunlop Super Brights.
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An SPB-3 and some Rotosound 66 steel rounds was plenty gnarly for me.
I just listened to the clips on the site, and these would probably sound really good in a punk band.You should try the new Lollar Precision 90 just so you can tell me how it rocks, without me having to buy one
A pair of P90’s in a precision form factorIn my punk days I would have jumped straight on it, looks like it would slay.
Precision 90
Holy! Yes please!
I just listened to the clips on the site, and these would probably sound really good in a punk band.
Not cheap though!Yeah, I missed that post the first time. Those sound killer.
Hope they’re talking about 1000mV and not 1000MV as they wrote in the Ad ...IDK, maybe these?
BITE Custom Bass Configurator
Hope they’re talking about 1000mV and not 1000MV as they wrote in the Ad ...![]()
WOW! I love Adrian and this just confirms why!
Holy poopie what a shagging song.
That was great!!
Here she is again, while a boy paints a room....
That is freaking awesome! IMO
Holy Cow. I forgot I came here to geek out on pickups. That was badass!!!!
Very interesting. I have a very early Lakland Glaub, that has seen a few different pickups in it, including some very aggressive over-wound SD's I had made(very hot but ultimately too murky/low-mid focused). I'm back to the stock Lindys now because I wanted to go more "trad". But the Neo-punch sounds intriguing.Back near the beginning of this thread (post #7) I posted a video of Julie Slick playing with Adrian Belew which got responses like these:
I'm really glad that so many folks dug the video -- I'm always happy to turn people on to my personal bass hero, the Queen of Shred -- but I fear that my point in posting the video (in this thread) might have gotten lost: The 5-string Julie is playing in the video I posted, and the 4-string she is playing in the video posted later by @Skillet, are both Lakland basses that come stock with their own "Neo-punch" pickups. The vids illustrate the "gnarly" tone I wanted for one of my P-style basses (a D. Lakin Bob Glaub), so on Julie's advice I bought one and, as described in the other thread I linked, it turned the bass into a fire-breathing monster. Anyone else have love for the Lakland Neo-punch pup?
As I understand it, Lakland was putting Fralins into their Bob Glaub's before they started using their own pups -- or, technically, pups made by their sister company Hanson. The "Neo-punch" pups that then became standard on the Glaubs were very different from a traditional P-bass sound: much more aggressive and "gnarly," as illustrated by Julie's tone. I went with the Neo-punch because I love Julie's tone, and putting that pup in my D. Lakin got me a lot closer to her tone than would have thought possible (considering other differences in gear, technique, etc.).Very interesting. I have a very early Lakland Glaub, that has seen a few different pickups in it, including some very aggressive over-wound SD's I had made(very hot but ultimately too murky/low-mid focused). I'm back to the stock Lindys now because I wanted to go more "trad". But the Neo-punch sounds intriguing.
I've got a great US Fender Precision (60th Anniversary) that cops the traditional P sound, and which I love (and play) equally. I put the Neo-punch in my D. Lakin specifically to be different (and nastier) when I want that kind of tone instead.I put a Neo-punch in my Fender MIM p bass.
Whether I play it at church or in the classic rock band I am in, every one love the tone & sound of it.
FYI, I still play my USA Sterling & Lakland DJ4 bass's too.![]()
I came here to say much of the same haha!I've tried several P-bass pickups, and the hottest were the DiMarzio Model P and G&L MFD split-coil in my SB-2. Either would be great, but I prefer the G&L because, at least in my SB-2, it has more vintage warmth than the Model P did in my MIA Fender.
But I'll suggest something else for punk: Lindy Fralin. High output, with a gnarly, gritty edge, and yet still captures classic P-bass tone. And to me, that's the key. Old-school punk is all about old-school P-basses, but with a nasty edge.
So just to be sure I understand 500k pots allow for a more aggressive tone than 250k pots? You’ll have to excuse my friend, he’s a little slowChange all the pots for 500k Ohm first, those EMG pickups are far from aggressive.
Fender uses 250k Ohm pots, which clips to top off the timbre.
Yes, if you consider a little more high end more aggressive.So just to be sure I understand 500k pots allow for a more aggressive tone than 250k pots?