• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Gold Tone MicroBass Talk


Yes, i like the concept but i have a few issues with them. using the 23" acoustic microbass
  • They are thinner than the regular poly strings, so the high action is more noticeable. I can't get the action low enough with them. Huge ski jump after the 7th fret is no fun to play with.
  • They feel really sluggish
  • Not sure why they are roundwound. They still have the poly core, so they will always have a thuddy sound. I would have preferred the tone of flat winding as a better match.
  • The round wound is not very comfortable, especially compared to the smoothness of the naked poly strings. I find these rounds rougher and slower feeling than a regular metal core roundwound string like a DR, Ernie Ball, standard La Bella etc.
  • The poly core of the roundwound means you can't really do slapping/popping or other techniques you'd typically use on a roundwound.
After several years of running down the uke bass rabbit hole and trying a bunch of them, I came out the other side very happy with a Rob Allen mouse bass. 30" scale and using the LaBella flat wound tapes. Its the sound I always wanted from a uke bass, without making any compromises on the strings. The 30" scale coupled with a really short effective reach make it a great playing bass.
 
  • Like
Reactions: TheDominoKid
Yes, i like the concept but i have a few issues with them. using the 23" acoustic microbass
  • They are thinner than the regular poly strings, so the high action is more noticeable. I can't get the action low enough with them. Huge ski jump after the 7th fret is no fun to play with.
  • They feel really sluggish
  • Not sure why they are roundwound. They still have the poly core, so they will always have a thuddy sound. I would have preferred the tone of flat winding as a better match.
  • The round wound is not very comfortable, especially compared to the smoothness of the naked poly strings. I find these rounds rougher and slower feeling than a regular metal core roundwound string like a DR, Ernie Ball, standard La Bella etc.
  • The poly core of the roundwound means you can't really do slapping/popping or other techniques you'd typically use on a roundwound.
After several years of running down the uke bass rabbit hole and trying a bunch of them, I came out the other side very happy with a Rob Allen mouse bass. 30" scale and using the LaBella flat wound tapes. Its the sound I always wanted from a uke bass, without making any compromises on the strings. The 30" scale coupled with a really short effective reach make it a great playing bass.
Any sound clips of that Rob Allen by chance?
 
Any sound clips of that Rob Allen by chance?
I don't have any at the ready, but a bunch of them on YouTube and in some of the threads here on TB.

I should add that I've been eyeing the new Ibanez SRH500 as a cheaper alternative. Its a chambered piezo-only bass. 34", but a long horn and the bridge set way far back should make the effective reach feel shorter than a lot of 34" basses.

The threads here on TB about effective reach have been really helpful in explaining to me why I find short scale basses more comfortable. Getting the specs on basses to make the ER calculations can be tough, but once I had the concept in my head, even just eyeballing the bridge and strap pin placement in a photo can give you a decent sense of what the reach will be like.
 
Oops. I really like them on my magnetic pickup 22 to 24 scale bass guitars.

ESP and me.jpg

Small P-bass 700.jpg

Rick 325 Bassenfaker 720.jpg
 
  • Like
Reactions: selowitch
Hi, I have a 25" fretless microbass on the way to me. My hope is to use this to write and record first drafts of songs, establishing the basic themes that will be fleshed out on an upright bass by an actual bassist when finalized. But I still want the best tone closest to an upright bass that I can get. Can anyone offer me suggestions for strings that will give me the tone I am looking for?
 
Hi, I have a 25" fretless microbass on the way to me. My hope is to use this to write and record first drafts of songs, establishing the basic themes that will be fleshed out on an upright bass by an actual bassist when finalized. But I still want the best tone closest to an upright bass that I can get. Can anyone offer me suggestions for strings that will give me the tone I am looking for?
I've found the Goldtone stock Aquila strings to be very "upright sounding", and my band mates agree. I'd give 'em a try first.
 
Last edited:
As an eBay Associate, TalkBass may earn a commission from qualifying purchases.
Well that escalated quickly.

Saw a Taylor GS Mini Bass on Saturday in GC. Played nice but at $700, a bit out of my range. Wife says "it would be much better at $500". Went to Sam Ash and they only had the Kalas, which are much too short for me. Put in an offer of $340 on an M-Bass on Reverb that was accepted this morning. Bought the Silverback strings from Gold Tone. Should have everything later this week. Happy father's day to me!
 
  • Like
Reactions: TheDominoKid