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Good songs that improved your playing

Dan Sheets

Commercial User
Oct 23, 2018
43
100
52
Hamilton, Canada
Hi everyone,

Anyone got some tips for songs that really improved your technique?

For example i've got Turn me loose down perfect now - but theres so many other songs that use that same note pattern practicing that one song has helped me immensely.

If anyone knows any gems (even if you would never play them live) they can recommend. Please keep in mind I am a newish player though and cannot play really fast songs yet.
 
I am going to learn Riders and Wipeout tonight.
:thumbsup:

i'm not a real rock guy --- i think others would be better at recommendations, but, regarding technique: learn the tunes and then learn to play them in other keys! it will require some fingering change-ups and stretches in many cases = stuff which will help you progress...even if you never play those tunes in any key but the original. just sayin'....good luck with your playing! :thumbsup:
 
:thumbsup:

i'm not a real rock guy --- i think others would be better at recommendations, but, regarding technique: learn the tunes and then learn to play them in other keys! it will require some fingering change-ups and stretches in many cases = stuff which will help you progress...even if you never play those tunes in any key but the original. just sayin'....good luck with your playing! :thumbsup:

What a great tip! Thanks, @JRA!
 
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The Door's "Riders on the Storm" was the song that I used to build pinkie strength and independence. Seven minutes of the same riff over and over, played a couple of times a day, and over the course of a couple of weeks will really get your pinkie in shape. And, believe it or not, I still enjoy playing it. Played like this (not me) . . .



That seems like an incredibly un-ergonomic, potentially hand-damaging fingering for that particular bass line. Why even use the pinky at all, why not the open string? Or just shift your hand 2 frets and use the 2nd finger for A and the 1st finger for C#?

Check out this video for another alternative fingering you can try:

 
That seems like an incredibly un-ergonomic, potentially hand-damaging fingering for that particular bass line. Why even use the pinky at all, why not the open string? Or just shift your hand 2 frets and use the 2nd finger for A and the 1st finger for C#?

As with any piece of music there are umpteen different ways to play it. When I first started playing Riders, I used the middle-index-postion shift fingering. In the late 70s a fellow bass player showed me this fingering and I have used it ever since. It was that magic riff that allowed me to incorporate more use of my pinkie into my playing. It employed more economy of motion and was, in fact, more ergonomic for me. I do not see the "potentially hand damaging" aspect. If what you are referring to is the pinkie-ring-pinkie fingering, then playing a first finger position minor arpeggio could also be considered "potentially hand damaging." But hey, we are all individual players and what works for one may not work for another.
 
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OK you can play note for note what the original artist did. Does this fit with what your band is wanting?

I see posts all the time that say in effect, "I finally got such and such down." And this took only one week. Give me some fake chord sheet music so I know the chord changes and I can wing an accompaniment on a song I've never heard before. IF someone is singing the lyrics.

Every good ole boy band I ever played with handed out fake chord sheet music - so we could all be on the same page together. That has always been more important, to me, than note for note.

Yes I see the chord then decide what notes of the chord need to be played. Roots first, the 5 next followed with the 8 and then the correct 3 and 7 thrown in for color. Not a step for a stepper.

What ever lifts your kilt...… just a reminder there are other ways.
 
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In response to the OP, what element(s) of technique are you looking to improve? Fretting accuracy, speed, plucking with multiple fingers, moving between strings, muting, stuff like that comes to mind, but there are a lot more skills required to be a good musician. I encourage you to think a bit deeper at what you really want to do as a bass player.

I'm fairly new myself, but there is much more I want in addition to skilled fingers. I'm up there in years, retired, and don't learn like I used to, but learning anyway. Part of the reason to take up bass is to exercise my mind, be creative, have an indoor hobby when the weather is bad, and have fun. What else do I want? Keep reading...

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Every good ole boy band I ever played with handed out fake chord sheet music - so we could all be on the same page together. That has always been more important, to me, than note for note.

Yes I see the chord then decide what notes of the chord need to be played. Roots first, the 5 next followed with the 8 and then the correct 3 and 7 thrown in for color...

I like the way you think Malcolm. I am learning to play bass along with a fair amount of theory so I can play my own music. Not someone else's, my own. I want to know how to improvise with what sounds good, and know why it sounds good. Chord tones with priority as you described, and chromatic approaches when appropriate. Rhythms, chord progressions, reading and writing are included in my studies on top of the basics. Bass is a rhythm section instrument. Playing from a rhythm perspective instead of a note perspective was an eye opener.

My brother in-law throws songs into his human jukebox and reads tabs. That's all he can play. He has no idea what notes he's playing. My sister plays piano. Without sheet music she can't do anything.

My goal is to play, jam, improvise, be expressive and creative, and enjoy it all, not be a juke box limited to playing someone else's songs.
 
@Larchi While I appreciate the talent of Claypool his style isn't for me - and way above my skill level right now.

@Doc Blue - As a beginner i'm still improving everything. Speed I guess would be the biggest though - I can't play songs with 16th notes at all.
 
I feel your 16ths pain. Right now I focus on an accurate and purposeful note. Improvement there let's speed follow. Hammer-ons for selective use of a 16th or two. Not sure how acceptable it is to use the finger pad then nail and alternate plucking directions with the same finger, but I can get a pretty consistent tone at good speed with repetitive 16ths.
 
.......I want to know how to improvise with what sounds good, and know why it sounds good. Chord tones with priority as you described, and chromatic approaches when appropriate. Rhythms, chord progressions, reading and writing are included in my studies on top of the basics. Bass is a rhythm section instrument. Playing from a rhythm perspective instead of a note perspective was an eye opener.
Yep that should give you want you need. Do a Google on Ed Friedland's books. I found anything Ed has written to be of value.
 
@Doc Blue - Yes I find i'm doing the exact same thing - resorting to hammer ons because my picking hand can't keep up. (It almost sounds the same)

Trying to get the intro down for Megadeth - Peace Sells and the last 2 notes are 16th and I just can't get it yet. Practice makes perfect though.