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Got a P, want more grind or clank, get a J?

Love my P, the low mid hump and that classic P bass tone.
However i'm on a quest for less high end roll off, more grind and clearer "piano" like tones.
Should i get a J? Will it give me that? Not planning on ever selling the P, but pondering adding a J to the collection

Also love Geddy's tone, a classic Ric tone (but will never afford a Ric) and some classic 80s tones that i'm fairly sure that were produced on a J eg. OMD, Skids etc
 
Love my P, the low mid hump and that classic P bass tone.
However i'm on a quest for less high end roll off, more grind and clearer "piano" like tones.
Should i get a J? Will it give me that? Not planning on ever selling the P, but pondering adding a J to the collection

Also love Geddy's tone, a classic Ric tone (but will never afford a Ric) and some classic 80s tones that i'm fairly sure that were produced on a J eg. OMD, Skids etc

A j-style bass is typically going to give you a tone that is more flexible than a p (due to the inclusion of two pickups) and is potentially less mid-range-heavy (particularly if you run both pickups full on). Neither bass should have any high-end roll off unless you use the tone knob to roll off the high end. Neither bass should be "clearer" than the other unless you happen to interpret the mid-range focus as impacting clarity. It is possible that you might interpret a less mid-range-heavy tone as more like a piano.

"Grind" means something different to everyone, but I would not say there is any objective reason why a j would offer "more grind." If anything I would go with the p for that.
 
Love my P, the low mid hump and that classic P bass tone.
However i'm on a quest for less high end roll off, more grind and clearer "piano" like tones.
Should i get a J? Will it give me that? Not planning on ever selling the P, but pondering adding a J to the collection

Also love Geddy's tone, a classic Ric tone (but will never afford a Ric) and some classic 80s tones that i'm fairly sure that were produced on a J eg. OMD, Skids etc

Start saving for that Ric.
 
The P bass has a low mid hump (which is different on every string) due to the pickup location - that location gives you a comb filter, which means there are a lot of dips and bumps in the frequency response of each string, but the most prominent one is the low mid hump. Adding the second pickup, a J has a different comb filter (again, each string has a different filter) when both pickups are on. It has a dip (on each string) about the same frequency that the P has a hump, and a hump an octave higher. Then, more dips and humps ad infinitum.

A P has more low mids than a J. But, an octave higher, the J has more higher mids.

One zigs where the other zags. They're just different. And of course, one of them, if you dial back a pickup, hums. But I digress.
 
Those are Thunderbird pickups, so that works too.

True, except most people don’t want to deal with the massive body and long neck on a T Bird. Not to mention the Embassy has a P nut width while most every T Bird has a Jazz nut width. Also, the Embassy features a blend knob which is preferable to the T Bird volume/volume/tone controls.
 
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