The tale is way tame in terms of debaucher that I encountered, but I'll play. It would have been about 1991 or '92, I was playing Arab percussion for a Middle Eastern dance ensemble that did a lot of flashy folkloric dance and bellydance.
In the course of a couple of months we got tapped to play two VERY lavish private parties, both at the same (presumably rented) mansion (I think it was in the Hollywood Hills - it was a long time ago. Somewhere posh in the LA mishmosh.) The mansion was architected in a Persian sort of way - lots of tiles, arches, etc.
The first gig was some sort of party for the UC Regents. Each regent came into the party riding a camel. A real freakin' camel. I remember thinking "This is why UC tuitions are so dang expensive now..."
The second was the RHCP release party for Blood Sugar Sex Magic. That's right, I've never seen RHCP perform, but RHCP have seen me perform...
The melodic instrumentalist for the gig was
John Bilezikjian - Wikipedia , a monster musician who performed on the Oud, an Arab (pan-Middle Eastern) stringed instrument that is the (fretless) predecessor of the Lute. Imagine French crusaders bringing back "le' Oud" and putting string frets on it, and "le' Oud" becoming "Lute". John was an amazing musician - classically trained violinist, virtuoso Oud player, with an encyclopedic repertoire of American pop, jazz, Arab, Armenian, Greek, Persian, Turkish, Ladino, and probably several other spheres of music. I was blessed to play a few dozen gigs with John and never saw him stumped by a request in any of those categories. Pretty sure no one at the party knew just what they had on their hands, in terms of the quality of the music. But everyone enjoyed the performance. I have one picture from that RHCP gig. That's me in the back, in glasses and Fez. Fez' are cool. Dr. Who said so. And yes, the dancer is balanced on the edge of a sword, having danced her way up the ladder of swords.