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guess which synth

Heheh. This seems easy. You can tell by the character of the envelope which is which. I was just playing with the BMS last night, so I'm pretty sure that:

  • The first one is the EHX Bass Micro Synthesizer
  • The second one is the Digitech Bass Synth Wah
I'll be kicking myself for a week if I'm wrong. :smug:
 
Both sound good except for the tracking issues on the eighth notes of Tom Sawyer.

Is that typical for the pedal's response? It may make me reconsider its spot on my GAS list if it suffers from tracking issues that badly.

Which clip?

It's typical of any synth pedal, IME - it's all dependent on your technique.

You will have to adjust accordingly to get the best tracking out of any synth. The BMS and other more elaborate synthesizer pedals have several controls dedicated just to dealing with input and playing style nuances, but they all take a while to tweak for best results. Even then, it's only as perfect as you are, and given the nature of a synth pedal's response, errors show themselves quite well.
 
Which clip?

It's typical of any synth pedal, IME - it's all dependent on your technique.

Both to a degree but the tracking issues seemed more offensive in the first clip -- I'm assuming the BMS.
You will have to adjust accordingly to get the best tracking out of any synth. The BMS and other more elaborate synthesizer pedals have several controls dedicated just to dealing with input and playing style nuances, but they all take a while to tweak for best results. Even then, it's only as perfect as you are, and given the nature of a synth pedal's response, errors show themselves quite well.

Hmmm... I wrote off the Boss SYB line because of their tracking issues, which to date has been the only synth pedal that I've actually had in my grubby mitts.

I've liked the sound samples that I've heard from you and others on the various synth pedal options but if I'm going to be unable to use it in a live context it may be of fairly limited use to me.

Being able to tweak it to perfection on your own time to get a perfect response is one thing, but being able to have a setting that you can count on out in the field is of greater importance to me. It's half the reason I gave up on using my POG in my current project: multiple sliders + high sensitivity levels = recipe for frustration when trying to duplicate a sound live.